Review and photos by Justin Richardson The Decibel Magazine Tour came through Charlotte almost three months ago, which puts this review in big bold…
Truth be told, Seventh Son of a Seventh Son isn’t my favourite Iron Maiden album, by any stretch. More synth-heavy and progressive-sounding than their previous releases, even singles such as “Can I Play With Madness” or “The Evil That Men Do” fall flat compared to the likes of “2 Minutes to Midnight” and “The Trooper.” But does that mean I’m skipping their Seventh-Son-heavy summer tour? Awwww hell no!
“With the upcoming Iron Maiden tour preparing to get underway, many people are aware that half of the tour will be getting Alice Cooper as their opener — a man that needs no introduction — and the other half will be getting New-York based Coheed and Cambria. I know a lot of people who are disappointed with getting Coheed and I feel that disappointment is merely because, for the most part, people going to Maiden are just unfamiliar with the band so Alice Cooper seems like the better of the two. When I discovered that Coheed was going to do a warmup tour in preparation for their slot with Maiden, I jumped at the chance to go see these guys live as my previous chance to see them was dashed.”
Live review and photos by Justin Richardson
Another edition of thought-provoking book reviews from our Irish based correspondent Steve Earles. Please enjoy!
Metal Blade celebrates its 30th anniversary in 2012. While the label has already released a plethora of classic and genre-defining albums, and fostered and supported our dearly loved heavy metal community, it remains, to this day, as active and energetic as ever. What the metal realm would have looked like without Metal Blade’s steely presence over the past three decades is a frightening thought indeed.
To help celebrate this, here are four new reviews of new Metal Blade titles by our New Zealand based writer Craig Haze, who tackles the new releases by Angel Witch, Exhumer, Ram and OSI
Overall barring the vocals this is a well done album, where fans of this style will find enjoyment. The guitar work is excellent, the vocalist has his moments of greatness, and the songs are catchy enough. This isn’t the best traditional metal release you’ve ever heard, but it does have some worth.
Right off the top, before anything else is said here about Primal Rock Rebellion or their debut, Awoken Broken, it needs to be said that this record stands as proof that old dogs can indeed learn new tricks.
Blood For the Master isn’t a radical step forward, but nor, given its traditional metal underpinnings, is it a step back. It is exactly the album Goatwhore needed to make right now.
Y’know, whenever I’ve seen Maiden at the ACC in the spring or the fall, I’ve always been able to get floors, but I’ve had no such luck at the Molson Ampitheatre. I was up on the Live Nation website as soon as the clock struck 10 this morning, and as a result of my efforts, I’m stuck up in Section 302, Row L–and it’s still costing me more than I ever paid for floors indoors!
In case you missed the last episode of Days of our Black Sabbath, the band has pulled out of all but one of its upcoming European dates, citing Tony Iommi’s health issues. Meanwhile, drummer Bill Ward issued a public statement that he still wants to take part in the reunion, but is still waiting for a signable contract…