Yngwie Malmsteen

Blue Aside – The Moles of a Dying Race

It’s no secret that I dug the shit outta the first Pyramid record (to put it not-so-mildly), so in some ways, this is kinda what I’d hoped BP II would be. But don’t get me wrong, these guys aren’t some second-rate Black Pyramid imitators, by any means. There is only one Blue Aside, and they are fully deserving of your respect and admiration. You should really buy this record!

Film Review: Så Jälva Metal – The History of Swedish Hard Rock and Heavy Metal

I’d recommend the documentary for metal fans who are particularly interested in the origins of the genre and the roots of metal in hard rock. While I think the narrative could have been weighted more evenly, there is some fascinating archival and interview footage in Så Jälva Metal, and seeing the music from a new cultural perspective is refreshing and eye-opening.

Interview with Yasin Hillborg, director of Så Jävla Metal

Currently set to celebrate its Canadian premiere at the NXNE festival in Toronto, Så Jävla Metal is a documentary about the evolution of heavy metal music in Sweden. The film traces the beginnings of heavy metal through hard rock, beginning with bands like Europe, and continuing to trace the development of the sound as the music became heavier. It contrasts the way that Swedish metal grew up in tandem with metal in North America and other places in Europe, specifically in Norway, where the violence of black metal is contrasted again Swedish death metal. Writer and director Yason Hillborg found the time to talk to Hellbound about the documentary, his vision for it and his experiences making it.

Fullforce – One

The album is definitely worth picking up for those of you into the hard rock/power/prog scene but I think that the next album (perhaps entitled Two?) will be INCREDIBLE if Fullforce can pull off songs like the first half of One all the way through.

Tim “Ripper” Owens: Play My Game

Play My Game comes across as a series of tracks inspired by Judas Priest’s Demolition and Beyond Fear’s eponymous debut, with the occasional nod to Dio. This should come as no surprise, given that two of the songs were Ripper-penned tunes which were originally rejected by Priest.