Weapon

Postcards From Natalie Zed, Part 4

Hellbound readers, we’re sure that by now you are all familiar with our Natalie Zed, right? Natalie was our big grand prize winner way back in January, taking home more than 50 CDs + and shortly after she received her huge box ‘o CDs, Ms. Zed asked us over at Hellbound HQ if we’d be interested in running reviews of her winnings if she did postcard sized reviews of the albums. How could we say no?

So, after a long layoff (sorry NZ!), here is Natalie’s fourth installment (reviews #31 – 40 for those keeping stats at home) in what Hellbound likes to refer to as “Postcards From Natalie Zed”…

Weapon: Drakonian Paradigm

Musically, what makes Weapon unique is its intricate sense of composition, its sinuous melodic leads, and the subtle accents that it uses in order to conjure a distinctive atmosphere. Conceptually (and, by extension, atmospherically), Drakonian Paradigm is uniquely syncretic in its left-hand-pathos, in turn using its music to menace several doctrines from a common ground.

Tate Bengston reviews the debut full-length album by Edmonton, Alberta-based black metal quartet Weapon, recently released on CD and LP by the AJNA Offensive.