Voivod

70000 TONS OF METAL Cruise Recap Part 2

Last week the inaugural 70000 TONS OF METAL cruise sailed from Miami, FL to Cozumel, Mexico and back and featured live performances by forty-two metal bands. Hellbound.ca was lucky enough to have been able to send four of its contributors on the cruise and here is what they had to say about the performances that took place on Day number two.

Live reviews by Adrien Begrand, Albert Mansour, Kevin Stewart-Panko and Sean Palmerston. All photography by Albert Mansour unless listed otherwise.

Ozzy Osbourne / Halford @ Air Canada Centre, Toronto ON, November 27, 2010

“The setlist was great: Perfectly selected songs from his solo stuff, like “Let Me Hear You Scream,” “Crazy Train,” “Bark at the Moon,” and “Mr. Crowley” and some Black Sabbath tunes like “Faries Wear Boots” and of course, “War Pigs.” I haven’t followed his solo career too much since I was about 11 or 12 when one of my older brothers (who is now a classical musician) brought home his first solo album, so this was a great set list for those who were enamored with the legend more than his musical catalogue.”
Laina Dawes reviews the November 27th show by OZZY and HALFORD at Toronto’s Air Canada Centre. She took all the cool pics too.

Remembering 25 Years Ago Today: WORLD WAR III Festival

“I remember that both Celtic Frost and Destruction were very happy that they were known and in demand in the North American music scene. Celtic Frost were extremely heavy live, especially as they were a three piece. Reed definitely destroyed his drums with his heavy style of percussion, and Martin was an animal when it came to head banging while he played. Tom and the rest of the band had a great metal image with an avant garde style.”

November 30th marks the 25th anniversary of the infamous WORLD WAR III Festival in Montreal. Sean Palmerston interviews attendee Dave Busch in memory of this groundbreaking event in Canadian metal history.

Postcards From Natalie Zed, Part 5

Hellbound readers, we’re sure that by now you are all familiar with our Natalie Zed, right? Natalie was our big grand prize winner way back in January, taking home more than 50 CDs + and shortly after she received her huge box ‘o CDs, Ms. Zed asked us over at Hellbound HQ if we’d be interested in running reviews of her winnings if she did postcard sized reviews of the albums. How could we say no?

So, after a really, really long layoff (sorry NZ!), here is Natalie’s fifth installment (reviews #41 – 48 for those keeping stats at home) in what Hellbound likes to refer to as “Postcards From Natalie Zed”…

Umbah – Trilobeth

Trilobeth doesn’t offer much of in terms of a focused style, but its seeming adaptability and multiplicity are its strengths. It’s a release that is a musical tribute to our technological and frenzied reality.

Jay Gorania’s SXSW 2010 – Part 1

Austin’s 6th Street area is the performance location for much of the musical side of South by Southwest—a massive interactive, film and music conference and festival. Historically, unsigned bands came to get noticed by suit ’n tie record label reps; however as it has evolved, signed underground and mainstream bands have dominated showcases, and schmoozin’ and boozin’ is underway as backroom deals and negotiation unfolds. Hell, it’s gotten to the point that Metallica played last year.

Jay Gorania recaps his take on this year’s SXSW Music Festival. In this first entry, he reviews the Relapse Records showcase as well as sets by Torche, Goes Cube and Goatwhore.

Kreator, Voivod, Nachtmystium, Evile @ Opera House, Toronto, ON, March 9, 2010

KREATOR, of course, positively destroyed The Opera House. “Hordes of Chaos” raised the energy level in the room to near-riot level early on, and “Enemy of God” and “Extreme Aggression” kept it there. Whatever chilliness I’d initially felt evaporated almost immediately, and there was rarely a moment when my fist wasn’t in the air and my neck muscles weren’t burning.

Natalie Zed reviews the recent Toronto stop of the Kreator, Voivod, Nachtmystium tour, which happened Tuesday night at the Opera House.