Out Of Line Weekender 2019, Day 3
Astra Kulturhaus – Berlin, Germany Out Of Line Weekender 2019 edition was taking place on 04.-06. April at Astra Kulturhaus Berlin, Germany. The three…
symphonic metal
Into the Grave Festival, August 2018
10-11 August – Leeuwarden, Holland This was the time and place to be for a weekend spiced with an exquisite selection of death, groove,…
#Throwback Thursday – Dimmu Borgir in 2004
On Friday, May 4, 2018, Dimmu Borgir released Eonian, their first full-length studio album in seven years. Fourteen years earlier, Dimmu Borgir were touring in support…
Durbuy Rock Festival, April 2018 (day 1)
What nicer way can there be for spending the first ‘over 20-degree Celsius’ weekend of the year than at a rock festival with a…
Nightwish at The Fillmore in Charlotte
Nightwish delivers the Greatest Show on Earth 10 March 2018 @ Fillmore Charlotte – Charlotte, NC Floor Jansen, at this point, has arguably established…
Cradle of Filth – Hammer of the Witches
Hammer of the Witches has the best Cradle of Filth cover since that of Cruelty and the Beast, which featured the lovely Luisa Morando…
MaYan – Antagonise
Mark Jensen has become one of the more prominent and prolific composers and musicians in the prog/power/gothic metal arena these days. And his Mayan…
Epica – Requiem for the Indifferent
Requiem for the Indifferent seems to focus more on the clean vocals of both Simone and Mark. Simone in particular seems to experiment and fully embrace more of her phenomenal vocal range on the new album. In respect to the instrumental aspects of the album, fans can anticipate to hear those familiar, brutal riffs and fantastic guitar solos.
KEVI METAL’S RIMSHOTS v.2 #2
Welcome to the second installment of the snarky, irreverent world of Rimshots, reconstituted for the online world that is Hellbound.ca. Enjoy them, because I know I didn’t. After suffering through this crop of crap, all I have to ask is: Sean, dude, what did I ever do to you?!
Epica: Design Your Universe
Epica’s fourth full-length Design Your Universe was the perfect opportunity for the Dutch band to make some serious artistic and commercial strides, but what we’re stuck with is a record that tries so hard to impress that its blind ambition completely gets in the way of tasteful songwriting.
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