Harvestman – Music For Megaliths
Get ready. Get set. Get stoned. This latest offering from Harvestman, the alter ego of Neurosis alumni Steve Von Till is a trippy, psychedelic…
Get ready. Get set. Get stoned. This latest offering from Harvestman, the alter ego of Neurosis alumni Steve Von Till is a trippy, psychedelic…
Mike Scheidt has been busy over the last couple of years, having seen the release of his first solo album, the first VHOL record,…
A Great River is raw and jagged, and yet beautifully serene in parts. It’s as incongruent and temperamental as any of our hearts, and Hall tears his chest wide open on the album, unafraid to express his own shortcomings and fears in the hunt for peace and fulfillment.
Distilling Van Zandt’s work down to a poignant acoustic framework (as he used to do so well in a live setting) brings the immediacy and lyrical genius of his work to the fore. However, not only does the album pay due respect to the influence Van Zandt has had on Kelly, Von Till and Wino, it also serves as a reminder of the sublime artistry that sits at the heart of their own work. If you can’t find something to latch onto among these nine hauntingly picturesque tracks, or recognize Kelly, Von Till and Wino’s own legacies at play, then it’s best you check your pulse to see if you’re even living.
In A Dark Tongue is built on the foundations of folk, yet wanders all over the musical soundscape throughout the 12 tracks, ranging from blissful layered guitar, to pounding electronic overtones, to a Gaelic inspired John Martyn cover. However, the album flows completely naturally, so the disjointed styles don’t seem out of place.