AC/DC has tried a few different things and taken a few different turns try and grow up (or age up? Or act their age?)…
Enter Hellbound’s contest to win a limited edition 11 7″ vinyl copy of IN FLAMES brand new album “Siren Charms”
Volition is the album the band should have made after Kezia (2005) and Fortress (2008). The perfect blend of songwriting and technicality makes this record a true standout. This baby is a prime candidate for my end of year list.
All in all, Comeblack is a pretty good record, it’s not going to take the place of the classics but it’s a pretty awesome way to let those of us who never saw the latest incarnation hear how things would have sounded.
Even without any accompanying video footage too, Nugent’s Setlist translates incredibly well; culling essential tracks from the extended edition reissues of Free For All and Cat Scratch Fever as well as essential tracks from Intensities In 10 Cities and Double Live Gonzo and Live At The Hammersmith ’79, Setlist assembles a very vivid track list that does conjure the images of a wild-eyed Nugent (check out how “Just What The Doctor Ordered” leads in, and you’ll get it) relishing in the moment – the lights, the attention, the spectacle – and it is the guitarist’s element; he loves every minute.
This reissue of Raw Power is satisfying because, unlike so many of the more “adventurous” re-workings of the material, this release stays true to the original; even leaving some of the noticeable flaws (like the clipping that might be from volume or from a little bit of tape left mangled in “Your Pretty Face Is Going To Hell” intact) in place to imply the rough, warts-and-all initial recording process.
Ignoring the laughable title of the album, from note one of the album’s lead-off track, “One,” there’s nothing particularly original or attention grabbing about any aspect of the record.
The problem with Sound Awake is that it’s just too clean, too polished and too pretty because, in addition to the statesmen of goth, Karnivool also mixes in a significant amount of pop sensibility which hinders the whole procession.
Adam Wiills photo gallery of Joe Perry Project live at Air Canada Centre in Toronto on Thursday, February 4th, 2010.
All of a sudden Slayer’s new album trades the metal in their thrash for a heavy dose of hardcore, the infusion of which makes Slayer sound exactly like Black Flag did around 1985.