FOR THE LOVE OF METAL
Saturday, September 25th will make the launch of a very important artifact chronicling the history of the heavy metal music scene in the greater Toronto, Ontario area. On that day, UXB Press will be releasing their newest book, entitled Eve Of Darkness: Toronto Metal in the ’80s. This book is a massive, painstakingly put together tome dedicated to the city’s burgeoning heavy scene during its heyday.
In an ever-changing universe, one thing that is pleasingly consistent is a new Fu Manchu album; it is as though this album was always…
Perhaps the most important thing that Rush proved when they released Grace Under Pressure is that (to paraphrase what George Orwell wrote in 1984)…
Just one year after they began to challenge both themselves and their audience with new songwriting ideas and compositional presentations on Moving Pictures, Rush…
It is often regarded as an inconvenient truth, but the fact is that it becomes increasingly difficult for a band to change or take…
As Canada Day rolls around again, some of our regular Hellbound contributors have pitched in for another year of celebrating Canadian metal on the…
Around the late ’60s, progressive rock was born. Those who adopted the infant genre went forth from England, blew minds, and progressed, taking the…
By Gruesome Greg Truth be told, I was drawn to this Chicago sextet by their bizarre moniker, along with the promise there was doom…
“A smoke-filled backdrop and a barefoot bassist set the stage for vocalist/flautist/keyboardist Alia O’Brien to cast a spell over the crowd. Her seemingly effortless weaving between instruments, combined with undeniable natural charisma, made her a magnetic presence on stage.”
Danielle Griscti reviews the Toronto album release party by Blood Ceremony at the Horseshoe Tavern on Saturday, September 14th, which also featured Biblical and Cauchemar.
In case you didn’t know, Moxy had a few hits in the mid-to-late 70’s. Their 1975 self-titled album kinda sounds like Rush’s debut, before the latter got more progressive, and featured guitar virtuoso Tommy Bolin on several solos–he just happened to be recording in the studio next door. These guys were so big down in Texas that AC/DC opened for them on a string of dates in 1977, and were reportedly dubbed the Canadian Zeppelin by Sounds critic Geoff Barton…