Call Of The Void – Dragged Down a Dead End Path
Dragged Down a Dead End Path does exactly as the title suggests. Call of the Void drags the listener, kicking and screaming, toward a gruesome end in a shallow, lonely grave they had to dig themselves.
Relapse
Convulse – Inner Evil EP
If this is any indication of what is to come, I think that their return couldn’t have come at a better time. I can’t wait to hear the rest of what Convulse circa 2013 is capable of.
LISTENING TO THE PAST: Death – Human
“(Human) embodies much of metal’s concern for and obsession with material questions of existence. It remains special partly because of its historical importance for extreme metal, but also because it stands out as a prime example (out of many) that it is very possible to merge anger and aggression in extreme metal with a compassionate search for answers to social and philosophical questions.”
A revisitation and re-evaluation of the classic DEATH album Human by Jonathan Smith
Hellbound.ca’s Top 10 Albums of 2012
As promised last week, here are the Top 10 metal albums of 2012 according to the writers of Hellbound.ca. You will notice that, in comparison to our previously published Top 10 Canadian albums of 2012 list, a few Canadian artists actually ended up charting higher here than on the Canuck top 10. The reason for this is simply because we had more writers submit top 10 lists here than did for the Canadian list.
Collected, compiled and edited by Sean Palmerston
Weapon— Embers and Revelations
Embers and Revelations draws from a thoroughly Luciferian lexicon, and is a magnificent deluge of ungodliness. Weapon prove, once again, that an abundance of sinister creativity can be dredged from the quagmire of blackened death and masterfully butchered upon the altar.
Serpentine Path – self-titled
Right off the bat, you can tell this is one heavy vegetable; slow, punishing doomy riffs with deep-throated death metal growls. Winter is a definite reference here, albeit this record sounds thicker and sludgier, presumably because it wasn’t recorded in a basement.
Horseback – Half Blood
Based on The Invisible Mountain and now Half Blood, Horseback has mastered the art of crafting a proper album. The first half has its feet in the dirt, the second half has its eyes on the stars. It manages to cover a lot of stylistic territory, yet it’s a cohesive collection and an effortless listen from start to finish.
Schizoid: The Next Extreme
” For years this album felt like the last thing I would ever do, before ultimately killing myself as well. Unfortunately for my enemies, that ended up not happening; instead, the disc was completed. “What doesn’t kill you…,” I guess, right?”
On the eve of the release of his third album, Laura Wiebe interviews Canadian digital hardcore artist SCHIZOID
Another viewpoint on Baroness’ Yellow and Green
I know that Baroness fanboys will hate me for this, but I think Yellow and Green is a failed concept and a disappointing listen—more Sandinista than London Calling, if you will.
Baroness – Yellow & Green
Yellow & Green by Baroness is arguably one of the richest and most diverse albums you are going to hear this year. It is certainly the most ambitious musical undertaking by Baizley and Co yet, but they manage to pull it off without a hitch. Production-wise it’s a little too retro for my taste, but otherwise this is a fantastic musical adventure. I’m hooked!