If they’re ending their careers on this note, well, they’ve left us with a solid token to remember them by.
“Director Tommy Jones captures the band’s stories of challenges and victories, both drunk and sober. Every. Single. One. You want an in-depth music documentary on a death metal band? This is it.”
Ola Mazzuca reviews Iron Will: 20 Years Determined, the new 2 DVD, 2CD compilation celebrating the first twenty years of Northern Hyperblast from Quebec death metal veterans Kataklysm.
March Of Progress has much to offer and it’s a solid Threshold album by any standard. However, for me it simply lacks the punch and the energy of Critical Mass, Subsurface and Dead Reckoning. A little more spice wouldn’t hurt on the next Threshold album.
Hellbound contributor Raymond Westland recently had the chance to do an interview with Karl Sanders, the guitarist/vocalist and main songwriter of death metal outfit Nile. He had a lot to say about the band’s latest album, the creative process within the band, the less glamorous aspects of being on the road and his positive comments on the last Morbid Angel record…
Overall, for a band with a career spanning over three decades and ten plus studio albums, Tankard is as potent as they ever were. A Girl Called Cervesa really is a treat for the old fans and newcomers to the band, so re-fill your Tankard and get ready for that hangover because A Girl Called Cervesa will punch you right in the face and not think twice!
If you like hoisting a mug while you sing with your mates and pumping your fist in the air while singing the glories of battle or prefer to imagine yourself with one foot on a monitor, leading a crowd of enthusiastic head bangers in a chorus of “Gott Mitt Uns, As We All Stand United” then you Will LOVE this record.
At The Gates Of Sethu is first and foremost a very traditional Nile album. Brutal technical death metal is still at the heart of it all, the three-pronged vocal attack has lost nothing of its venom and the religion and history from Ancient Egypt still form the main source of inspiration for Karl Sanders. What sets Nile apart from their peers is their collective attention for small details, such as ritualistic chants and the use of indigenous instruments and percussion.
Requiem for the Indifferent seems to focus more on the clean vocals of both Simone and Mark. Simone in particular seems to experiment and fully embrace more of her phenomenal vocal range on the new album. In respect to the instrumental aspects of the album, fans can anticipate to hear those familiar, brutal riffs and fantastic guitar solos.
What we have on our hands is another classic 21st century record from one of my favourite 80’s metal bands, and I sure as hell ain’t complaining!
Swiss death folk leaders Eluveitie return with a rustic record of wood-burning, raw depth. Helvetios fuses century old elements with a modern metal tone that support each other like a horde facing battle.