FOR THE LOVE OF METAL
But the album’s triumph for me, without question, is the majestic, heartfelt (hell, almost power-pop!) pageantry of “Don’t Look Back”; its two-note clarion-call intro causes the hairs on the back of my neck to stand up every time I listen– and the lyrics and vocals propel the song into sheer anthemic glory.
Hellbound’s Kyle Harcott reviews Kylesa’s latest effort, entitled Spiral Shadow, released on Season of Mist.
Here is the playlist for the September 5th edition of HELLBOUND RADIO
Eve—the song and the album—sounds like it’s been shaped from molten rock. Ufomammut have dug deep; crafting elusive, unruly elements into something inspired and monumental
A pretty cool find from a band on the cusp of the post-hardcore movement—especially considering the direction its members went afterwards. I guess they didn’t start smoking reefer till they moved away from their parents…
I like free things. I especially like them when they give me the chance to see a bunch of bands I dig for, well, nothing. So, after passing on going to the initial Scion Rock Festival with Kevin Stewart-Panko last year when it happened in Atlanta, I made up my mind I wouldn’t miss this year’s edition. When it was announced in early February that this year’s edition would be happening in a much closer location – Columbus, Ohio to be exact – we made plans to go.
Sean Palmerston recaps the 2010 Scion Rock Festival in Columbus OH for Hellbound.ca.
Village of Dead Roads are well versed in the sludge of Crowbar and EHG, along with “post-sludge” bands like Neurosis, while mixing elements of death doom and the atmospheric black metal stuff that’s all the rage these days.
With a roster of talent that is hard to match, Shrinebuilder’s Shrinebuilder is an impressive debut.
Forgive Us Our Trespasses is not only a lumbering, crushing sonic tour of a world without us, it’s also a cutting and unsubtle condemnation of humanity’s indifference to its own habitats.
I originally wrote this interview for Canada’s EXCLAIM! in June, 1996 but they no longer archive back that far on their website, so I thought I’d make it available here again. I did this interview with Brian Patton upon the release of Dopesick, which I still think is one of their best releases ever.
I could barely contain my excitement when Scott Kelly, Al Cisneros and Dale Crover quietly joined Wino, set up their stuff, pointedly ignored the choruses of cheers and the prerequisite ‘I love you, man’ from some drunk/high audience member and just started playing.