Hatesphere: To The Nines
To The Nines is the most recent release spawned by Dansk melodic death metallers’ Hatesphere. There is something about Hatesphere that separate them from all the rest.
Napalm
Fejd: Storm
With the use of traditional Nordic folk instruments such as the bouzouki, Swedish bagpipe, Jew’s harp, hurdy-gurdie, keyed fiddle, willow-pipe, the recorder and the cow antler, Storm is a cultured listen.
Eluveitie: Evocation 1 – The Arcane Dominion
Swiss band Eluveitie have reappeared with a new offering that is being billed as “an acoustic album” that is the first of a two-part concept series. Despite the use of the term “acoustic,” Evocation 1 is far from having a minimalist folk sound.
Jungle Rot: What Horrors Await
Back with their sixth full length CD is this old school death metal band which emerged in the mid ’90’s. There is an undeniable influence of Slayer, Sodom and Obituary on this band from Kenosha, Wisconsin; this album is by far is a lot tighter than other albums I’ve purchased by them in the past. From
Alestorm: Black Sails At Midnight
Yes, the concept of Scottish Pirates may be silly – although, pirate metal straight outta Jersey (hello, Swashbuckle) is infinitely more ridiculous – and that they don’t dress in pirate garb on stage is more disappointing than any measure of falseness, but in the end they have infectious, sing-a-long anthems and that’s all that matters.
Tyr: By the Light of the Northern Star
You’ve got to love it when a band strikes when the iron is still hot. With their first two big North American tours under their belts and not even a year after the release of Land, their best album to date, Viking metal heroes Týr have re-emerged from the remote Faroe Islands with their fifth full-length.
Sons of Seasons: Gods of Vermin
To call Sons of Seasons’ debut prog/power would be accurate but vague. Saying Gods of Vermin sounds like a fusion of inspirations from Savatage to Dream Theater and Therion would get it a little closer.
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