metalcore

Killswitch Engage: Turning Liquid Sugar Into Gold

Whether it’s because they have definite hardcore roots, forming as they did from the ashes of Overcast, Aftershock and, later, Blood Has Been Shed, or because they have choruses that sound more like globules of liquid sugar instead of caustic battery acid, Massachusetts’ Killswitch Engage has always had troubles being accepted by metalheads across the board. Arguments range from “they’re metalcore/screamo/not metal therefore they suck” to “they may be metal, but they suck” and other such subjectivity disguised as scene police fact. That they’ve gone ahead and managed two certified gold records in the U.S. means that the underground has yet another reason to chastise them beyond the speciousness of arguments surrounding what genre they call home.

Kevin Stewart-Panko discusses KSE’s second self-titled album and their rise to modest fame with band guitarist Joel Stroetzel.

Killswitch Engage: self-titled

Killswitch Engage’s latest and self-titled album showcases in many ways what has come to be expected from the band. The formula hasn’t changed much — straight and to-the-point metalcore with lots of clean lead guitars and bursts of drums. However, this time there’s more angst than usual in the lyrics, and definitely attempts at making the incredibly short songs sound suitably epic.

Hatebreed: For The Lions

For The Lions slams out 18 tracks of covers that Hatebreed consider influential to their form of music. There are some obvious hardcore selections that won’t come as a surprise to most. Bands like Sick Of It All, Madball, Black Flag, Agnostic Front and Cro Mags are staples of the scene . It’s some of the left field choices that really
make this album interesting.

Starring Janet Leigh: Spectrum

Yeah, we get it, you deathcore bands sure can play, but would it kill you to dial down the ostentatious bursts of technical dexterity enough to a) give us a breather and b) try to come up with a passage that we can actually remember?