Don’t get me wrong, the days of Time Heals Nothing and the self-titled are long gone, but if Sever the Wicked Hand sparks a Crowbar revival, I’m all for it.
Kingdom of Sorrow: It’s a name that conjures up images of some grizzled warrior-king, his throne coated in ash, his body caked with blood. It evokes both torpor and power. And indeed, the quintet plays a blend of filthy swamp sludge and growling hardcore, courtesy of Crowbar/Down string slinger Kirk Windstein and Hatebreed vocalist Jamey Jasta.
Hellbound.ca scribe Sarah Kitteringham speaks to Jamey Jasta about night terrors, bringing your inner Zeppelin to life and Kingdom of Sorrow’s great new sophomore release.
He was the host of Headbangers Ball, he owns a few businesses, and he’s in two successful touring bands. On face value, one might think Jamey Jasta would have little to complain about, and even less angst to vent through hardcore music. But such criticism loses grounding when taking into consideration that he’s “turning negatives into positives,” as he puts it, by attempting to transfer difficult childhood experience, as well as recent tragedy, into song. Calling from Pittsburgh on the second-to-last night of the Decimation of the Nation tour (featuring Chimaira, Winds of Plague, Dying Fetus and Toxic Holocaust), Jamey shoots the shit with Hellbound’s Jay H. Gorania about Hatebreed’s new, self-titled release—easily the most diverse and dynamic output of the band’s career.