Iron Maiden

Hellbound Q & A with… Terese Fleming of Scarab Productions

Western Canadian metal owes a lot to Terese Fleming. As the organizer of the Noctis festival, she has put our region on the map as far as heavy metal culture goes. Incredibly supportive of her local and regional scene, Terese has been putting on shows, from tiny community halls to the now multi-day Noctis extravaganza for years. I spoke to her over the phone to find out some history of her involvement with Noctis, what bands she’s into, and whether us attendees will really be eating bowls of ball bearings at the Noctis Metal Breakfast.

Interview by Kyle Harcott

Iron Will paints a picture of strength, on stage and off, for death metal gladiators Kataklysm

“Director Tommy Jones captures the band’s stories of challenges and victories, both drunk and sober. Every. Single. One. You want an in-depth music documentary on a death metal band? This is it.”

Ola Mazzuca reviews Iron Will: 20 Years Determined, the new 2 DVD, 2CD compilation celebrating the first twenty years of Northern Hyperblast from Quebec death metal veterans Kataklysm.

Black Moor – Lethal Waters

Lethal Waters is a surprisingly good take on traditional heavy metal in the vein of Iron Maiden (“Hellraiser”, “Midnight Warrior”, “Hatred’s Maze”) splashed with early 80’s thrash, particularly Megadeth (“Lethal Waters”, “Thunderhead”) and delivered without a hint of parody. This is genuine admiration channeled into a modern interpretation. These lads play from the heart and it shows

Maiden pulls out all the stops to make Seventh Son number one!

Truth be told, Seventh Son of a Seventh Son isn’t my favourite Iron Maiden album, by any stretch. More synth-heavy and progressive-sounding than their previous releases, even singles such as “Can I Play With Madness” or “The Evil That Men Do” fall flat compared to the likes of “2 Minutes to Midnight” and “The Trooper.” But does that mean I’m skipping their Seventh-Son-heavy summer tour? Awwww hell no!

Coheed and Cambria

Coheed and Cambria / Moving Mountains / Pianos Become The Teeth @ Music Farm, Charleston, SC Apr 30

“With the upcoming Iron Maiden tour preparing to get underway, many people are aware that half of the tour will be getting Alice Cooper as their opener — a man that needs no introduction — and the other half will be getting New-York based Coheed and Cambria. I know a lot of people who are disappointed with getting Coheed and I feel that disappointment is merely because, for the most part, people going to Maiden are just unfamiliar with the band so Alice Cooper seems like the better of the two. When I discovered that Coheed was going to do a warmup tour in preparation for their slot with Maiden, I jumped at the chance to go see these guys live as my previous chance to see them was dashed.”

Live review and photos by Justin Richardson

A Metal Blade quartet

Metal Blade celebrates its 30th anniversary in 2012. While the label has already released a plethora of classic and genre-defining albums, and fostered and supported our dearly loved heavy metal community, it remains, to this day, as active and energetic as ever. What the metal realm would have looked like without Metal Blade’s steely presence over the past three decades is a frightening thought indeed.

To help celebrate this, here are four new reviews of new Metal Blade titles by our New Zealand based writer Craig Haze, who tackles the new releases by Angel Witch, Exhumer, Ram and OSI

On Top – Top Heavy

Overall barring the vocals this is a well done album, where fans of this style will find enjoyment. The guitar work is excellent, the vocalist has his moments of greatness, and the songs are catchy enough. This isn’t the best traditional metal release you’ve ever heard, but it does have some worth.