FOR THE LOVE OF METAL
In case you didn’t know, I just got back from the West Coast a couple days ago. Saw Sleep in concert at the Roseland Theater in Portland, then caught the Seattle Seahawks’ season opener at Qwest Field. These were the best two days in recent memory.
This record isn’t so much a split EP as it is a clash of the titans concerning those who revel and relish in the slow and painful.
Agnes Vein have well steeped themselves in the lore of Blood Fire Death-era Bathory and latter-day Celtic Frost, but at times, the music also hints at the drone and mood of Jesu. There’s also the strong aftertaste of Primordial in the guitar tone. It’s an eclectic mix, but the influences serve them well and Agnes Vein have managed to distill them down into their own secret formula. I highly recommend Duality to anyone whose ears pricked up at any of the aforementioned inspiration.
Although they aren’t too creative with the written word—all songs are entitled Acts I through VI, and the band name itself is cringe-worthy—Seattle’s Roareth does have something to offer musically with this, their debut album. Take Zoroaster circa Dog Magic, sprinkle in a few non-distorted slow passages a la Neurosis, and a handful of Cisneros bass grooves, and you’ve got a solid 45 minutes of slow-moving sludge.
Mares of Thrace are one hell of a lot of fun to watch live and they will blow you away. If the new song they played at Kilroys is any indication (Pale Neck), their next record is also going to be a monster, possibly better than The Moulting but I’m not sure if that could happen.
Guitarist/vocalist Therese Lanz and drummer Stefani MacKichan have been part of Calgary’s music scene for a while now, Lanz as frontwoman for grindcore band Exit Strategy and the pair most notably comprising two-thirds of the hard rock trio Kilbourne, but since forming Mares of Thrace it feels like they’ve stumbled upon something special. One album in, they already have a very strong identity, as The Moulting (Arctodus Records) is a blistering combination of the massive riffs and rhythms of Neurosis, the angularity of Unsane and the Jesus Lizard, the intricacy of the Dillinger Escape Plan, and some well-timed melodic passages to boot.
Adrien Begrand speaks to one of Canada’s most exciting new bands, the Calgary based duo known as MARES OF THRACE.
Another one of those bands I somehow stumbled onto by accident, there’s very little I can tell you about Indianapolis’ Sleepbringer. Born out of the ashes of Heroes Laid To Rest, an Internet search bore only one other short review (so far) of Compendium, although I have the feeling that once this record gets heard a little more, that’s going to change. What I can tell you without a doubt is that this record absolutely crushes, it’s one of the most promising debuts I’ve heard this year.
Jared Hynes reviews the July 22, 2010 performance by APOSTLE OF SOLITUDE at the Bug Jar in Rochester NY
Suffice to say that this album is a long, difficult slog, even though it only has six tracks.
The songs, stripped lean, take on a new sense of heavy immediacy. Intensely focused, David Gold kept the banter minimal, briefly introducing songs, but instead let the music speak on his behalf. And it was that intensity that made Woods of Ypres so amazing to watch live. They’re a band that pour their heart and soul into every endeavour –recorded and live- and that makes all the difference.
Kyle Harcott reviews the June 26th concert by Woods Of Ypres at the Biltmore Cabaret in Vancouver, BC