The Best Canadian Metal Albums of 2014 Edited by Adrien Begrand Compared to 2013, which was one of the strongest years for Canadian metal…
Hellbound’s 2014 year-end coverage continues this week with the next installment in our collective top 20. Part two features the albums that ranked in…
Devin Townsend Project, Animals as Leaders and Monuments The Phoenix Concert Theatre, Toronto ON November 30, 2014 Many years ago, my first gig as…
In February 2014, Adam Wills and Laura Wiebe flew to Miami, embarked on a cruise ship, and indulged in four days’ worth of live progressive rock…
A capacity crowd came together at Toronto’s Phoenix Concert Theatre last week to witness France’s mighty Gojira, Canada’s own Devin Townsend Project, and Chicago’s critically acclaimed The Atlas Moth, and what a show it was. Hellbound’s Adam Wills was there to witness the whole thing.
Since Hellbound.ca is a Canadian-owned and operated metal publication, we do things a little bit different than most. While 2012 was coming to a close we asked all of our contributors to pick their Top Canadian metal albums of the year. We then tabulated up their responses and have created our fourth annual Top 10 Canadian Metal Albums writers poll.
Please check out what our writers feel to be the best Canadian metal albums released in 2012.
In December all Hellbound contributors were given the opportunity to vote for their favourite Canadian metal albums of 2012. Here are the individual lists that were submitted, then tabulated by Adrien Begrand to make our Top 10 Canadian metal albums of 2012. Enjoy!
“With tour line-ups so diverse – much like metal in general – it’s not that common to run into a show where every band demands your equal attention (in anticipation, if not necessarily in performance). But the Epic Kings and Idols tour might have been custom designed for a metalhead like me, and even without a perfect execution this one ranks high amidst my favourite concerts of the year.”
Live review by Laura Wiebe, concert photos by Adam Wills
“I think that with these two recent records, Deconstruction and Ghost – specifically with Deconstruction in my head, I can probably write this sort of Andrew Lloyd Webber-esque sort of absurdity that, if I was in a genre which afforded me the opportunity to really go for it on the level that they’re able to do with The Lion King or The Phantom of the Opera, it would be, in my opinion, just this completely free piece of work that has no creative limits and no boundaries, and that includes everything from like the most vulgar to the most beautiful.”
Laura Wiebe in conversation with the one and only Devin Townsend.