FOR THE LOVE OF METAL
Orthrelm appeal to that side of your nature that makes you recheck you’ve locked the door 10 times and pick at scabs best left alone. It’s obsessively intricate, maddeningly torturous, and absolutely brilliant. The very best thing about 20012 is that it’s just two bite-sized chunks of noise to digest
With a few defeats and changes of members along the way, along with a fairly lengthy discography, Desaster are still campaigning like true survivors. Having never gained the sort of popularity or visibility of many of their German brethren, the band have remained a cult act, and their new album, The Arts of Destruction, isn’t likely to change that scenario any time soon.
Blood For the Master isn’t a radical step forward, but nor, given its traditional metal underpinnings, is it a step back. It is exactly the album Goatwhore needed to make right now.
You can sit and stew in your cynicism; you can bemoan the state of the world. You could even pour scorn on anarchist thought. But you cannot deny that Better To Die… is a triumph of political thought turned into genuinely innovative and inspiring action.
A small, passionate, vocal crowd greeted Neurosis’ Scott Kelly and Baroness’ John Baizley for their show in New Zealand’s capital on their current solo acoustic tour. With able support from an NZ rock icon, Craig Radford, the night was filled with heartfelt, intense performances.
Craig Haze reviews the February 3rd performance by Scott Kelly, John Baizley and more in Wellington, New Zealand. Live photos by Greg Parsons.
For 90-plus minutes the band unhurriedly manipulates and tweaks their sound. With many songs bleeding into one another, Ulver constructs a show that takes you on a skillfully paced, sweeping and euphonious voyage—where the pitch and sway, the crescendos and hypnotic undercurrents, guide you through a raft of emotive states.
Catching up on some of the late 2011 releases that nearly went under the radar, Craig Haze reviews a triptych of death metal albums, including the latest from Horrendous, Ominous Crucifix and Vore.
We asked all of the contributing writers here at Hellbound.ca to submit their Top 10 albums of 2011, which we then compiled into a master list, assigning points to all their choices (10 points for #1, down to 1 point for #10). After tabulating the results, we have created Hellbound.ca’s Top 20 Albums of 2011. For part one of our continuing series, here is albums #20 through 16…
All up, Anniversary is exactly what I hoped it would be. A mucky snail-paced trawl through the band’s debut, followed up by an unrestrained romp across the years. There’s obviously a wealth of material not on the second career-spanning disc, but I guess with only one side to play with you pick your best. I’ve no complaints.
If you’ve not dabbled in the world of New Zealand metal before, Beastwars could be the perfect gateway band for you, especially if you like things grubby. The debut isn’t as technical as Ulcerate, as malevolent as Witchrist or as claustrophobic as Diocletian (bands that you should definitely listen to) but Beastwars hums with enough psychedelic escapism and irreverence to make it a good place to begin