Inamorata is an emotionally taxing journey leaving you breathlessly heartbroken and physically exhausted yet hungry for more. If you’re a fan of aggressive, heartfelt and challenging metal, to let Inamorata pass you by would be simply opprobrious.
This upcoming weekend marks the return of the biggest underground metal festival in North America, the Maryland Deathfest. Quite a few Hellbound contributors are making the pilgrimage down to Baltimore for the four day festival, which starts this Thursday and carries on through Sunday, so we have picked some of our most anticipated bands to see each day and will be running daily previews this week.
Here are some bands that Sean and Adam are excited to see on Friday night.
Hellbound reviews seven 7”s recently released by Baltimore-based A389 Records.
The vinyl section of hellbound.ca is suffering a review shortage and while our discussion and review of these latest releases from Baltimore’s A389 Recordings won’t get this little bit of online real estate swinging like a 70s key party, it will at least take it off the proverbial life support of the past few months. Egads! There’s a certain amount of analogy in that metaphor as these two bands, as solid, serviceable and enjoyable as they both are, aren’t going to be the ones to set the world of extreme music alight.
Oak’s debut 12” rumbles and crumbles like Paul Bunyon piloting a city-sized backhoe. Vocalist Jo Gonzalez mixes and mashes his vocal chords to the tune of skidding tires and large men falling down jagged canyons while the humid oppression of the guitar, bass and drums acts like the soundtrack to slow suffocation and violent digestion.