Category: Reviews – Vinyl

Metal still sounds best on large, round pieces of pressed vinyl. The smell, the artwork – and it gets played through a needle.

  • David Bowie with Trevor Jones – Labyrinth (reissue LP)

    David Bowie with Trevor Jones – Labyrinth (reissue LP)

    While his career was characterized by no small number of unusual events, arguably the greatest concentration of weirdness about David Bowie’s career can be found in the 1980s. Within those ten fateful years, Bowie released albums which have come to be regarded as: some of his finest: Let’s Dance was the album which broke the singer…

  • Death From Above – Freeze Me (Flexi-Disc single)

    Death From Above – Freeze Me (Flexi-Disc single)

    It might not really need saying but, listening to the new flexi-disc from Death From Above really reiterates what a creatively fertile period the last few years have been for the group. The appearance of The Physical World in 2013 marked the beginning of a new era for the band; on that album, the group…

  • Worthless – Life’s A Garden LP

    Worthless – Life’s A Garden LP

    The beauty of psychedelic rock in its purest state is that the music is about art and expression first, and then everything else (be it community, statement-making, even simple performance presentation) comes second. That can mean a psychedelic rock album takes an unwieldy form (check out The Flaming Lips’ album Zaireeka – which requires that…

  • Garbageface X Yung Gutted – Apostasy (LP)

    Garbageface X Yung Gutted – Apostasy (LP)

    Anyone who is already familiar with Karol “Garbageface” Orzechowski’s output knows the emcee has a pretty dark and potentially violent disposition (2016’s NØ FUTUR(E) 7” illustrated that really well), but he’s really stepped up his game on Apostasy with the help of NYC producer Yung Gutted. This time the movement is exponentially slower; in print,…

  • Harsh Toke / Joy / Sacri Monti – Burnout!

    Harsh Toke / Joy / Sacri Monti – Burnout!

    San Diego is starting to become known for its heavy psych scene, as several stoner jam bands have followed in the wake of Earthless. This three-way split from Tee Pee Records captures three of them: Harsh Toke, Joy and Sacri Monti, all of whom have likely already shared a stage, or even a split EP with…

  • Age Of Electric – Make A Pest A Pet (2-LP reissue)

    Age Of Electric – Make A Pest A Pet (2-LP reissue)

    First, it’s important to point out that this new reissue of Make A Pest A Pet – the third and final album by Age Of Electric before the band went on its first hiatus – marks the first occasion whereupon the album has been released on vinyl. Before now, MAPAP was available on CD, cassette…

  • Robert Johnson – Centennial Collection Record Store Day Edition 3LP

    Robert Johnson – Centennial Collection Record Store Day Edition 3LP

    It’s difficult to accept the idea that such a broad and storied sound as rock n’ roll can be traced back to a single point in history but, in many ways, that case is easily made when one considers the influence of Robert Johnson. As everyone knows, Johnson became the king of the Delta Blues…

  • 45 Adapters – They Call It Justice 7”

    45 Adapters – They Call It Justice 7”

    A deeper look at the grooves pressed into the They Call It Justice 7” by The 45 Adapters. It might sound a little strange at first, but the 45 Adapters and their new seven-inch, They Call It Justice, are coming at the perfect moment in history for the band’s brand of Oi to really go…

  • Alice In Chains – Get Born Again 2×7″ (RSD 2017)

    Alice In Chains – Get Born Again 2×7″ (RSD 2017)

    Record Store Day 2017: Exclusive Double 7-inch Set Over the last few years in particular, Record Store Day has really seemed to cater to a “collectible” market over a market wherein fan interest is the focus. That has proven to be a little frustrating. Because of it, record stores get glutted by people one day a…

  • Chemical Brothers – Come With Us

    Chemical Brothers – Come With Us

    Ever encountered a moment when, through no fault of its own, an album just seems to go under-appreciated and/or just generally taken for granted, reader? It’s not an incredibly common occurrence, but it does happen; every so often, an album will suffer because it really just feels like “more of the same,” no matter how good…