The Full Counts – Next Up
About two years after the release of their debut album (which is a marked acheivement, at a certain level – many bands go many…
About two years after the release of their debut album (which is a marked acheivement, at a certain level – many bands go many…
The fact of the matter (as inconvenient as it may be) is that not every record is a work of genius and not every…
It’s funny to think about how much The Texas Gentlemen have changed since first appearing with the release of Texas Jelly in 2018. Just…
A deeper look at the grooves pressed into Naked Giants – The Shadow, LP. While it’s not terribly uncommon for a band to make great creative…
After releasing a debut album which, while obviously ambitious, ultimately yielded results which were “just okay” followed by an EP that revealed a greater-than-average…
A deeper look at the grooves pressed into the Ghosts of West Virginia LP by Steve Earle and The Dukes. I confess that –…
“How could a thirty-year-old album inspire a political discussion in 2020,” you ask? Well, come on – look at the state of the world,…
Listening to Pokey LaFarge’s ninth album (first for New West Records, and first I had ever heard) had a very strange effect on me….
Over the last five years or so, I’ve become acquainted with Nashville’s All Them Witches; reviewed a couple of their albums and gotten to…
I must confess that I slept for an unreasonably long time on Acid Dad’s self-titled debut album. I’m not sure how or why, I…