FOR THE LOVE OF METAL
The problem with The Sign of the Southern Cross becomes obvious quite early into the album – they’re too busy trying to sound like their influences that they really haven’t developed their own sound.
Although Back To The Noose is being called pirate metal, I have to say that I’ve never heard any combination like this type of thrash and death metal before. You’ll probably notice it right off the bat too.
The following metal/hard rock reviews were published yesterday in both Hamilton’s VIEW Magazine and Guelph’s ECHO Weekly. While they are online, it is with a bunch of indie rock reviews so I decided to throw just the metal/hard rock-related ones up on Hellbound…
The sophomore release from Oakland-based Laudanum is a fragmented collection of ambient doom-ish noise that only adequately reveals the band’s self-proclaimed “blackened instrument damage” when it’s listened to as a whole.
Some albums take some time to get into. Migdal Bavel is one that rewards patience and careful listening.
Realm of Shadows has reached a different ground than their previous albums and that makes for a smooth and pleasant album to listen too. If you’re the sort who likes Dream Theater, Ayreon and Solis then this cd is going to hit the spot. If someone had told me this was an early Dream Theater release, I wouldn’t doubt them. And that’s a good thing.
Going strong now since the early 90s, Vader keeps getting better and better with each subsequent release. Considered the death metal version of Slayer they are the leaders of the Polish death metal scene and, with this album, soon the planet.
Returning from the late-90s to capitalize on the continuing bear hug the metal world given to every thrash band that ever existed in the 80s is Whiplash. The difference being that for a short while back in 1985-86, Whiplash fucking ruled – well, fucking ruled my world, at the very least.
A little bit of background information: the record is a collaborative project between two Mikes — Mike Mare and Mike Gallager (of Isis fame). Amigos is a 40-plus minute single-track of ambient guitar textures and carefully pieced-together layers of sound that, just as they are on the verge of overstaying their welcome, shifts gears so as to keep things from getting too boring.
Forget all of your cardboard cutout third division skidthrash bands that have been popping up all over the place in the last few years, Sacrifice has returned to show how it is done, period. These Canadian thrash icons have come back after sixteen years of hibernation to create what is possibly the best work of their career.
Rob Kachluba reviews the brand new, long-awaited return album by Canadian thrash legends Sacrifice.