Clamfight – I Vs. the Glacier
Overall, this is a pretty solid sludge record. Nothing that I haven’t really heard before, but these guys do it fairly well.
Reviews – Audio
Judas Priest – Screaming For Vengeance (30th Anniversary Edition)
In listening to the reissue of Screaming For Vengeance, it suddenly becomes clear that, as “of its time” the production applied to the record was (the effects on “Electric Eye” – all the clanking reverb and robotic imagery – and the glammy metal sheen of “You’ve Got Another Thing Coming” are good examples), the record is the “step up” made by a band who knew they had the world’s attention, and continues to command respect thirty years later both for that and for its song craft.
Amenra – Mass V
Overall, this isn’t a bad listen for fans of Neurosis, Zoroaster and the like. That said, I’m not sure this one’s a real winner—especially coming hot on the heels of the former’s latest record.
Atriarch – Ritual Of Passing
Ritual of Passing is dirty, atmospheric, unsettling and cerebral. Turn down the lights, light some candles and really listen.
Graveyard – Lights Out
Graveyard follow suit to their name, like a rusty tombstone, symbolizing age and progression over time. If cleaned properly, you’ll find a treasure once forgotten, or an antique piece like Lights Out, that just needs to be revisited.
Voivod – Target Earth
Target Earth is one of those albums that many reviewers will spend more time talking about what is wrong with it than what is right. Since it is the first album to feature Mongrain and it is essentially the start of a new era, you can expect it to be compared over and over to the band’s legacy. This is unnecessary in my opinion, for as Snake sings in “Warchaic”, the band is out “to find a brand new world”, and it is something they manage to do just fine.
Deftones – Koi No Yokan
KNY may be Deftones most melodic album to date. However, they maintain enough crunch so as not to sound like they’ve gone soft.
LISTENING TO THE PAST: Death – Human
“(Human) embodies much of metal’s concern for and obsession with material questions of existence. It remains special partly because of its historical importance for extreme metal, but also because it stands out as a prime example (out of many) that it is very possible to merge anger and aggression in extreme metal with a compassionate search for answers to social and philosophical questions.”
A revisitation and re-evaluation of the classic DEATH album Human by Jonathan Smith
HELLBOUND’s TOP 10 CANADIAN METAL ALBUMS OF 2012
Since Hellbound.ca is a Canadian-owned and operated metal publication, we do things a little bit different than most. While 2012 was coming to a close we asked all of our contributors to pick their Top Canadian metal albums of the year. We then tabulated up their responses and have created our fourth annual Top 10 Canadian Metal Albums writers poll.
Please check out what our writers feel to be the best Canadian metal albums released in 2012.
KISS – Monster
KISS has been providing songs which cater to that affection for forty years and their wellspring of inspiration is in no danger of drying up, as Monster proves.