FOR THE LOVE OF METAL
On Taste the Sin, Black Tusk inject more howling punk à la Kylesa than instru-prog à la Baroness and Mastodon, and the result is a disc that has the potential to incite fist pumping, moshing and a little John Baizley fan-boy love.
I’m just going to come right out and say it: 12 Gauge is a great album.
Oh, what a strange race Buzz Osborne and The Melvins have run.
If All Empires Fall is meant to close a certain chapter of the band’s history, we have every reason to believe the next one will be even more exciting to witness.
It’s true that Scream is not your Dad’s Ozzy Osbourne, but it’s not as worthless as some nostalgia addicts would have you believe either.
While frequently compared to Iron Maiden, White Wizzard is a much different beast. Or rather, White Wizzard is not much of a beast at all. Let me put it this way: the number of the beast is not on White Wizzard’s speed dial.
Hellbound readers, we’re sure that by now you are all familiar with our Natalie Zed, right? Natalie was our big grand prize winner way back in January, taking home more than 50 CDs + and shortly after she received her huge box ‘o CDs, Ms. Zed asked us over at Hellbound HQ if we’d be interested in running reviews of her winnings if she did postcard sized reviews of the albums. How could we say no?
So, after a long layoff (sorry NZ!), here is Natalie’s fourth installment (reviews #31 – 40 for those keeping stats at home) in what Hellbound likes to refer to as “Postcards From Natalie Zed”…
If there is one thing that can be said about the criticism on Hellbound.ca it is that we don’t pull punches. The reviews that we print are the ones that are submitted by our writers and the editors just have to suck it up, whether they like it or not. So with that in mind, here are two very different reviews of the Suicidal Angels’ latest album Sanctify The Darkness, which will be released in North America in one week’s time. Take these for what you will and make up your own mind.
Is this what happens when hardcore grows up?
Even though this might be the darkest Yakuza record thus far, it’s also the most song oriented. It seems that Yakuza has focused on crafting their free form jazz metal jams into more succinct pieces this time around, which allows for a more palatable record. Palatable that is, for folks who found their previous work too challenging to listen to.