FOR THE LOVE OF METAL
Rhapsody of Fire have spared no expense on this EP, treating it with the same amount of care and detail that they give their full length releases: great story line, fully orchestrated songs, huge production, choirs, blazing guitars, and, of course, Christopher Lee’s voice.
A little on the short side, and lacking in any memorable tunes, Jason… The Dragon is only somewhat satisfying. That being said, I won’t object to another Weedeater tour, provided that it stops somewhere close by.
“The stage is cast in smoke and shadow. Spotlights scale black tapestries depicting nature’ s creatures: wolf, owl, crane. At centre stage is an altar holding candles and a human skull, hemmed in by trimmings from an aromatic pine. Behind it is the drummer, bathed in a warm yellow light. The silhouettes of two guitarists flank the stage, eerie streams of blue light emanating from their instruments.”
Cara Cross reviews the recent Victoria performance of Wolves in the Throne Room.
Although I’ve got no grading scale or any reference points when it comes to acoustic folk, I will say that if you worship Wino, you’ll want this.
If you’re a Mike Muir completist, you’d want this but if you just dig Suicidal or Infectious, or even the Cyco Miko stuff, buy the studio records.
If you want simple no nonsense thrash delivered in a frenzy high octane effort then you can do no wrong with Descent Into Chaos.
Hey Hellbound Readers, welcome to the second edition of Postcards From Natalie Zed for 2011. We met Natalie just about a year ago now when she won our big year end contest, taking home more than 50 CDs, records, posters and t-shirts. In a surprise move, Natalie then asked us if she could review her winnings for us. How could we say no?
Well, Natalie is all done with her original batch but has decided to keep on doing her postcard sized reviews for us. So, without further adieu, here is part nine of her ongoing series which we like to call “Postcards From Natalie Zed”. This set includes reviews of MITOCHONDRION, GRAF ORLOCK, THE MEADS OF ASPHODEL and more.
By Jonathan Smith Any metal band named after partners in the symbiote relationships that make up our bodies is bound to perk interest. The…
“Nathan Weaver began by briefly thanking the crowd for coming and admonishing them to please refrain from flash photography, and also from moshing – something the majority in attendance seemed to appreciate. This band and all their trappings are an experience in the live setting, and the mood the stage sets seems as important and intricate as the music – taking your eyes off of them to smash into each other seems to miss the point – or maybe they just think moshing is stupid.”
Kyle Harcott caught the recent performance from Wolves in the Throne Room at their Vancouver, BC stop.
Glorious Collision is a beautiful record and with the embracing of some more mellow and melodic sounds, they’ll not only please long time fans but may find some new fans from the hard rock world coming out to shows as well.