FOR THE LOVE OF METAL
Natalie Zed reviews the January 22nd Toronto performance by occult rockers Ghost, as well as support acts Blood Ceremony and Ancient VVisdom at the Mod Club. All live photos by Adam Wills
Ambitious and progressive, razor-raw and unrelenting, the debut from Cape Town’s WILDERNESSKING is passionate and exciting, and I’d daresay an early frontrunner in my book for one of the best of the year.
Alas, I’m not sure that this record is all that different from Angels of Darkness, Demons of Light I, but I’m not quite feeling this one as much. I shall have to revisit the original, perhaps.
Catching up on some of the late 2011 releases that nearly went under the radar, Craig Haze reviews a triptych of death metal albums, including the latest from Horrendous, Ominous Crucifix and Vore.
Right from the beginning though it is obvious that Joe Thrasher not only want to make you bang your head, they want you to remember these songs for a long time.
Though it does not quite possess the potent and urgent vibe of Altar of Plagues’ Mammal, Social Disservices takes second place in my personal albums of the year. Hopefully it will receive even more recognition in 2012.
When The Screams Come is a great visual document of the band that will be as entertaining to longtime fans of the band as it will be to newcomers. It’s not the flashiest, it’s certainly a warts-and-all type performance, but it captures a historically important band in their background getting the kind of adulation they deserve.
The first and most obvious question you’re probably asking yourself after seeing that Hellbound is reviewing the Fat Wreck re-issues of the first five albums by these Goleta, California’s melodi-punk heroes is whether or not the version we’re reviewing here is the box-set edition or simply the individual releases reviewed as a collective. I believe what Grand Wizard Palmerston has provided here are the individual releases, seeing as they are strewn across my desk and there’s no box provided that might maintain any amount of order in the slightest…
Main musician Jay Valena has crafted a powerful full-length record with many strengths even as it doesn’t often stray far from the sub-genre’s tried-and-true clichés. Its organic, earnest, and perhaps even retro sound lifts its five lengthy tracks above some of the contemporaneous releases of even seasoned veterans of the genre. What it lacks in polish and originality it more than makes up for in terms of epic grandeur. That this self-titled debut is mostly the product of a single individual makes it all the more impressive.
COC has a new album coming out and, as Gruesome Greg says, “this is some good shit!”