FOR THE LOVE OF METAL
Hellbound’s Justin Richardson took in Finland’s Tuska Open Air Festival this summer featuring bands such as Amorphis, Bolt Thrower, Ihsahn and King Diamond. Here is his review of the first day at this renowned metal festival.
Back again by popular demand!
You keep asking when it’s coming back, so here it is. Here is what the staff of Hellbound.ca has been enjoying during the months of July and August 2013.
“Be it that gnarly scream, outspoken attitude or empowering stage presence, Philip H. Anselmo can do it all. The multifaceted musician from NOLA is everyone’s favourite frontman of aggression; from shaping sub genres in Pantera to forming the supergroup Down, Superjoint Ritual and many side projects in between.”
Ola Mazzuca interviews Philip H. Anselmo on the eve of his solo debut peformance in Toronto
Give a listen to Primeval Tryants Prevails, the new album by Sweden’s Hypertension
In this entry of Blasphemous Meals, Ola Mazzuca covers three recipes from the Hellbent For Cooking book (Bazillion Points) that come from here at home in Canada! Three very different options are presented here, two dinners and a desert, from three very different bands that have been a part of the Canadian metal underground over the past thirty years (Dissection, Blasphemy and Bastardator). Check them out!
“By this point in the night the press of bodies on the main floor was damn near suffocating. Coupled with the intense heat, it was a sweaty affair indeed. Hair flying and riffs flying faster, Cannibal Corpse set a blistering pace for their 90+ minute, 20 song set.”
Matt Hinch reviews the May 31st Toronto stop of the Decibel Magazine Tour, featuring Cannibal Corpse, Napalm Death, Immolation and Beyond Creation. Cannibal Corpse photos by Adam Wills
“Importantly, the presentations often approached a generalized assumption that some group or groups of people hold about metal music or culture only to complexify the issue, demonstrating how research in particular locations, milieus, and demographics reveals the diversity in the ways people understand and engage with metal.”
Laura Wiebe reports back on the first North American academic heavy metal conference.
Hellbound Metal: “I was delighted when they opened the set with an excellent rendition of “The Devil’s Orchard”, but I was absolutely over the moon when they followed it up immediately with “Ghost of Perdition” and, this was a real shocker, “White Cluster” off Still Life. I wasn’t expecting anything that old to be played at all, so witnessing this live was a wonderful thing.”
Live review by Sean Palmerston; Special concert photos courtesy of Mike Bax / lithiummagazine.com
“Though revisiting Schuldiner’s musical legacy meant the sense of collective loss was strong, the sense of fellowship was stronger. In the end it was less for sadness than a cause for celebration.”
Laura Wiebe reviews the April 28th Toronto performance by Death To All and Anciients. Concert photography by Adam Wills.
Hellbound Metal: “As Clutch tore into a blistering rendition of “Crucial Velocity” off of this year’s excellent album Earth Rocker, the crowd began its metamorphosis into one singular entity; a living, breathing cyclone of energy. For the next 90 minutes Neil commanded the stage like a preacher gone mad, pointing his fingers wildly in the air while delivering lines about who stole his rock and roll in a sermon-like fashion.”
Live review by Renee Trotier, concert photos by Albert Mansour.