Articles

Articles, Features, Headline July 1, 2010

The Hellbound Interview: Sam Dunn & Scot McFadyen of Banger Films

“Beyond The Lighted Stage was actually shot over quite a long period. The first work on the film goes back to October 2007. We were working on it and then while we were into it, we got the go ahead from Iron Maiden to film Flight 666. So, we had to go to Rush and their management and make sure that it was okay to put the filming on hold, which they agreed to.

We started again doing things after Flight 666 was finished and we worked right up until this year. The last interview for the film was completed in early 2010, so it was more than two-and-a-half years work, on and off, on the film.”

Sean Palmerston in conversation with Sam Dunn and Scot McFadyen of Banger Films about their new movie Rush: Beyond The Lighted Stage

Articles, Featured, Reviews, Reviews - Audio, Staff Picks July 1, 2010

Staff/Guest Picks: Favourite Rush Song of All-Time

Happy Canada Day! July 1st is our nation’s official birthday here in Canada, so we thought we’d try to do something to pay honour to arguably the greatest and most famous band that our ten provinces and three territories have given birth to. We asked Hellbound’s regular contributors to write a paragraph or two about their favourite Rush album of all time, the results of which follow below. we also asked some guests, all of which are Rush fans, to chime in with theirs too. All of the albums mentioned are indeed worthy of the nod and worth checking out if you have never heard them before.

Articles, Featured, Features July 1, 2010

Photo Gallery: Rush by Steve Truglio

Steve Truglio is a professional photographer from the USA who has had his shots appear in publications such as The Aquarian and Metal Maniacs, as well as a number of albums by Clutch. One of Steve’s favourite bands of all time is Rush and he has been lucky enough to shoot them live a number of times over the years. Steve was nice enough to let us print a photo gallery of some of his favourite Rush pics he has taken, all of which can be seen below.

Articles, Featured, Features, Reviews - Visual July 1, 2010

9 Reviews of… Rush: Beyond The Lighted Stage

Much like we did last year with Flight 666 when it was released, we asked our faithful HELLBOUND contributors who have already had a chance to view Rush: Beyond The Lighted Stage to write us a review of their viewing experience. Here is a compendium of all the submitted reviews, listed alphabetically by the last name of the writer. We hope you enjoy these individual viewpoints on this super cool documentary film….

Articles, Features, Headline June 28, 2010

The Hellbound Interview: Earl Douglas, Author of Black Rock Volume 1

“The first image in the book is Living Color during the Vivid era backstage at a concert, just goofing around, and I wanted to capture that these were really fun guys, above everything else,” he says. “Not only are these people rock stars, but it’s something they are passionate about, and it clearly shows. Capturing them in their most vulnerable, joyous and with the most rawest emotions they have in their performance, was important.”

Laina Dawes interviews long-time music photographer Earl Douglas about his new book, “Black Rock Volume 1”, a compilation of photographs of some of the most important (and possibly unknown) black rock artists.

Articles, Features, Headline June 21, 2010

Justin Pearson: The Hellbound Interview

A striking passage of the Bad Religion song “Latch Key Kids” reads: “In this world today there ain’t nobody to thank/Just blame it on the kids and toss ’em into the tank.” Those lyrics seem applicable to a young kid growing up in the 1980s named Justin Pearson, best known as the bug-suited vocalist and bassist for the grind/noise/hardcore band The Locust.

Hellbound’s Justin M. Norton speaks with Pearson about his upcoming book, “From The Graveyard Of The Arousal Industry.”

Articles, Features, Headline June 18, 2010

Handshake Inc. Films Sequel to Maryland Deathfest: The Movie

As for the content itself, I asked Hall, who prefers the Cinema Verite approach to filmmaking, if he and Cardoso had given the crew specific instructions as to what images they were to capture, he said that he preferred not to. “I just decided to let them film the images that invoked something in them, to focus on what they felt was important to convey to the viewing audience about the performance, he said. “I trust these guys and know that they will come up with something great. How you make a film is just as important as what the film is about…and the way we make movies is to keep it real.”

Laina Dawes recalls her Maryland Deathfest experience as a full-time observer of Handshake Inc’s experience shooting the fest for DVD.