As opposed to the combination of muscle and nuance that Eluveitie excels at live, Amon Amarth is always strictly about brute force. No frills at all, just five guys taking the stage and hammering out an hour and a half’s worth of rousing tunes. Led by the gregarious, downright jolly Johan Hegg, the band hunkered down and regaled the hot, sweaty crowd with a considerably longer set than their first North American tour, which was certainly a nice touch.
I don’t want to in any way cheapen Ludicra’s performance here by saying that they performed “admirably under the circumstances.” They flat-out fucking rocked. They are tough, tenacious, and have a mind-blowing stage presence. Their vocalist, Laurie Sue Shanaman, filled the meagre space with her otherworldly voice.
Natalie Zed reviews the April 14th Toronto performance by Ludicra, Krallice and Empyrean Plague, which took place at Rancho Relaxo
Photo gallery by Albert Mansour On Saturday, March 13th I went down to Buffalo NY to see Megadeth, Testament and Exodus play at the…
Austin’s 6th Street area is the performance location for much of the musical side of South by Southwest—a massive interactive, film and music conference and festival. Historically, unsigned bands came to get noticed by suit ’n tie record label reps; however as it has evolved, signed underground and mainstream bands have dominated showcases, and schmoozin’ and boozin’ is underway as backroom deals and negotiation unfolds. Hell, it’s gotten to the point that Metallica played last year.
Jay Gorania recaps his take on this year’s SXSW Music Festival. In this first entry, he reviews the Relapse Records showcase as well as sets by Torche, Goes Cube and Goatwhore.
Helix has been known in the metal scene since the mid 80’s and has over the years made some incredible tracks. They played a good chunk of them Saturday night and it made for one hell a perfect night. Checking out this band live is a must for any metal fan into the 80’s scene. The hits kept on rolling one after another. Great set list. As I get to see so many bands in concert, the one thing which caught my attention with Helix was their level of professionalism shown on stage. No sloppy guitar solos, no scratchy feedback in the speakers. Basically a flawless gig.
Albert Mansour reviews the March 27, 2010 concert at Burlington’s Legendary Red Rooster club by Canadian hard rock/metal legends Helix.
Immortal never failed to acknowledge the momentous occasion that their appearance was for the diehards in the crowd. From their frequent praising of the crowd to Abbath’s invocation of fan worship during “Tyrants,” the band’s antics never failed to garner overly-excited cheers from fans who had obviously been long bursting a gut to see their heroes in the flesh. While there was no fire-breathing to be had, Abbath and company didn’t fail to prove their musical chops.
Jonathan Smith reviews Immortal’s March 27th concert at Toronto’s Opera House. Panzerfaust and Eclipse Eternal also appeared. All concert photos by Adam Wills.
On Friday, March 12th, Metal Blade Records put on a showcase of their Canadian talent during Canadian Music Week in Toronto. The list of bands was exciting: Assassinate the Following, Toronto locals Starring Janet Leigh, Aeternam from Quebec, Titan (also from Toronto), Barn Burner and the almighty Bison B.C. This was looking like a good night of bands, some I had seen before and some I was unfamiliar with. Where was this taking place you might ask? The Bovine Sex club.
I like free things. I especially like them when they give me the chance to see a bunch of bands I dig for, well, nothing. So, after passing on going to the initial Scion Rock Festival with Kevin Stewart-Panko last year when it happened in Atlanta, I made up my mind I wouldn’t miss this year’s edition. When it was announced in early February that this year’s edition would be happening in a much closer location – Columbus, Ohio to be exact – we made plans to go.
Sean Palmerston recaps the 2010 Scion Rock Festival in Columbus OH for Hellbound.ca.
DILLINGER ESCAPE PLAN were merciless performers, never letting the audience relax for a moment. Not only did their wicked on-stage energy hold everyone rapt, but so did the possibility that at any moment Greg Puciato might dive directly into the crowd and continue to perform while crowd-surfing.
Dillinger Escape Plan concert review by Natalie Zed, written exclusively for Hellbound.ca
After a short intermission Israel’s Orphaned Land presented to Toronto their version of Middle Eastern Heavy Metal. Foregoing the traditional metal uniform of all black, the band performed dressed in Arabic influenced white and accessories.