Category: Featured

Featured posts

  • Today Is The Day — Welcome To Hellbound.ca!

    Thanks for joining us for the launch of Hellbound.ca, Canada’s newest metal webzine. Updated weekdays with 2 – 3 new album reviews, concert reviews and photos as well as in-depth interviews with bands that span the realm of underground metal, Hellbound hopes to fill part of the void left with the unfortunate recent closings of…

  • Hooded Menace: Fulfill The Curse

    Known for their decidedly old school style death metal releases – we’re talking in the vein of Impetigo, (the Canadian) Slaughter and Repulsion here folks – it makes total sense that this album could have only come out on Razorback Records.

  • Lacuna Coil: Shallow Life

    Perhaps a surprise to no one who has been following the band over the past few years, Lacuna Coil’s Shallow Life is an interesting step for the band but showcases a bland end result that dilutes the possibilities of the stylistic shift.

  • Cauldron: Chained to the Nite

    Having grown up on metal in Canada during the 1980s, the first thought that springs to mind upon hearing the debut album by Toronto trio Cauldron is, why in the hell couldn’t these guys have been around 24, 25 years ago?

  • V/A – This Comp Kills Fascists

    Alright! Fourteen bands. Fifty-one song compilation. Fifty-seven minutes of intensity. You absolutely need this one.

  • Global Metal

    After the success of their 2005 film Metal: A Headbanger’s Journey Canadians Scott McFadyen and Sam Dunn have made a follow up with a twist. Where Headbanger’s was a swift romp through extreme music’s history, Global Metal is an anthropological study of metal around the world.

  • Opeth: Watershed

    With 2008 proving to be a stellar year for great releases from veteran bands, no one album stands out so clearly from the pack as this, the newest offering by Sweden’s Opeth.

  • Opeth / High On Fire: Centennial Hall, London ON September 21

    No fanfare. Zero theatrics. A barren stage except for the musicians, their instruments, amplification and a simple backdrop sporting their logo is all that Sweden’s Opeth (pictured) needed to entertain the nearly 900-strong crowd.