Author: Sean Palmerston
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Seidr – For Winter Fire
Allying throbbing, sub-zero sludge/doom riffs with poignant post-metal passages, beared up with throatgurge-ing vocals whose epic lyrics illustrate frozen paths of Nordic glory, For Winter Fire is a sprawling work, demanding the listener’s respect. Listening to this epic bit of Viking doooom is hardly a light undertaking, either – the majority of the songs push…
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Boris – Heavy Rocks / Attention Please
“Boris is always at its best and most exciting the more adventurous they get, and the two new records, Heavy Rocks and Attention Please, are just that, as both see drummer Atsuo, guitarist Wata, and bassist Takeshi embrace their accessible side in ways nobody, especially those on the metal side of the fence, could possibly…
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Postcards From Natalie Zed: Lucky #13
For her lucky number thirteen installment of her ongoing postcards series, Ms. Natalie Zed offers up five new reviews on bands such as Melechesh, Suidakra, TesseracT and Sylvus . So, without further adieu, here is another installment in her series of bite-sized critiques.
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Noisear – Subvert the Dominant Paradigm
Overall, Noisear is an obvious fit for the Relapse roster that has released a fine grind album.
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A Storm of Light – As The Valley Of Death Becomes Us, Our Silver Memories Fade
If you guessed by the album title that A Storm of Light plays post-metal, congratulations! You win a new car! (Car not included.) Nevertheless, this is some pretty decent stuff, album number three from the NYC trio that features Neurosis collaborator Josh Graham.
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Ironweed – Your World of Tomorrow
I’m not a big fan of bands with overt drug references in their names. I mean, Weedeater is pure genius, Bongzilla’s not bad, but it’s all downhill from there. That being said, Ironweed somehow works, taking one of the most over-used words in (dorky) metal, and adding weed. You know what they say… Just add…
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U.D.O. – Rev-Raptor
While it’s not the coinciding North American tour that was threatened around the time Accept announced its reformation without their former singer, Udo Dirkschneider’s latest “solo” effort hits shelves exactly one month after his former band graced the Mod Club stage in T.O.. To say I’m a little underwhelmed would be an understatement.
