Adam Wills

Adam has been a photographer for Hellbound since day 1 and also has a hand in the technical aspects of running the site.

Nachtmystium / Zoroaster / Dark Castle / The Atlas Moth @ Lee’s Palace, Toronto ON, September 11th, 2010

“During this performance, they behaved as though the stage was land they wanted to annex; they walked on as though their performance was an outright invasion. The crowd responded accordingly. While the vibe in the room had gradually ratcheted up from “polite and well-behaved” to “cheerfully aggressive” during the previous three sets, when Nachtmystium played, the crowd finally smelled blood.”

Natalie Zed reviews the Toronto visit from Nachtmystium, with support from Zoroaster, Dark Castle and The Atlas Moth. Photos by Albert Mansour

Photo Gallery: Katatonia / Orphaned Land / Swallow the Sun @ The Opera House, Toronto ON, September 14, 2010

On Monday, September 14, one of my most anticipated shows of the summer arrived in town – the New Night Over America tour – consisting of the powerhouse lineup of Finland’s Swallow the Sun, Israel’s Orphaned Land, and Sweden’s Katatonia. By far one of the best shows of the year, I was lucky enough to be there to visually document the evening. A more detailed review of the show will be coming up shortly by Hellbound’s live review extraordinaire, Natalie Zed. Until then, here’s some photos to hold you over in the mean time.

Black Sleep Of Kali – Our Slow Decay

The band’s first full-length, Our Slow Decay, constantly balances a tightrope between pronounced shades of Times Of Grace-era post-apocalypso, and modern-era thrash gallop on a par with Baroness, Bison, or High on Fire. As well, occasionally, the kind of vocal harmony work pops up that wouldn’t be out of place on an early ‘90s Dischord album – and holding the whole thing down, one hell of a masterful drummer in the drunken-fisted Gordon Koch. The band’s equally at home tossing around monolithic lightning bolts of slab-dirge as they are trotting through bone-jarring warhorse crunch, and Our Slow Decay is tempered with each equally.

Jucifer – Canadian Tour Diary #3

“We follow the directions from google maps and we can’t find any sign of the club. There’s nowhere legal for us to park in sight. We pull into a bus stop and I try calling the promoter and the sound guy. Neither one answers. We’re starting to think this show might not happen. Edgar jumps out and makes an extensive reconnaissance while I stay in the driver’s seat in case we get harassed. He manages to find the club’s customer entrance, but no sign of the underground loading dock we were told to expect. Returns to me looking pretty hopeless. Tells me the club entrance is part of a pedestrian mall. We still don’t know if we’re supposed to drive into it, but he doesn’t think we can fit if we are. We trade places so I can go see for myself.”

Cephalic Carnage Tour Diary: Part 2

“Late afternoon in Helena, members of several bands embarked on a hike toward some lush, mountainous terrain next to a lake. Granted, a sign did indicate the lake was technically closed, but we drove up the hill quite a distance before getting out to hike. When we finally arrived at the lake, it was beyond satisfying. It wasn’t the most breathtaking body of water by any means, not that it was bad, but compared to the daily atmosphere of a smoky bar with ear-exploding metal music, the serenity offered a welcomed change of pace.”

Jay H. Gorania returns with another installment of his tour diary with Cephalic Carnage. In today’s feature, he discusses Denver businessmen, the landscape (and womanscape) of Salt Lake City, vigilante justice and campfire stories. Enjoy!

JANE’S ADDICTION – Live Voodoo (DVD Review)

The aesthetic presented echoes the show itself too. Sticking exclusively to material recorded by the band’s original line-up (Jane’s Addiction, Nothing’s Shocking and Ritual De Lo Habitual), JA’s set at Voodoo Experience leaves little to be desired as the band delivers an all-hits-and-fan-favorites set that includes songs like “Ain’t No Right,” “Mountain Song,” “Been Caught Stealing,” “Three Days” “Ocean Size,” “Stop” and “Jane Says.”

Beneath The Massacre – Maree Noire

“Musically this album doesn’t deviate from the standard computer like sound of BTM past works. It has everything you would expect, ridiculously fast double kick, guitar licks like a robot was playing the 6 stringer and vocals guttural and abrasive enough to use on paint you need removed.”

Hellbound’s Matt Lewis discusses Maree Noire, the latest output from Quebec death metallers, Beneath the Massacre.