The feel here is harkening back to the good old 90s, as they combine the brutality of Death and Gorguts and the precision of Pestilence. With the emphasis nowadays creating that classic old school Death metal sounds it is refreshing to hear a hybrid like Skeletal Remains.
Sylosis have just unleashed their latest masterpiece Monolith through Nuclear Blast on October 5th. On this, their third album, the band has taken their blend of progressive thrash and moved things forward. While still a complete ‘shred fest’, Monolith has more feel to it, more ambience if you will. Taking the band to record where giants have tread before (Monnow Valley Studio, which has housed Black Sabbath, Judas Priest and Rush to name a few) seems to have given Sylosis the ability to convey mood a little more, and dial back on the technicality of their songs. Monolith is a fantastic achievement for this young band, and I had the pleasure of speaking with founding member/guitarist/vocalist Josh Middleton a few days after the North American release of the album.
Today, October 12th, is the 25th anniversary of the release of Forward to Termination, the sophomore album by Scarborough ON thrash metal quartet Sacrifice!
Overall, for a band with a career spanning over three decades and ten plus studio albums, Tankard is as potent as they ever were. A Girl Called Cervesa really is a treat for the old fans and newcomers to the band, so re-fill your Tankard and get ready for that hangover because A Girl Called Cervesa will punch you right in the face and not think twice!
The great pacing throughout the album makes you wonder why we haven’t heard such glorious blistering thrash from the lads earlier. Forbidden abandons any past or modern pretense and makes thrash metal vital again by combining heaviness, speed, melody, and technicality into a marvelously accessible package.
“Just as my energy level was reaching a crisis point, the audience’s had risen to a fever pitch, becoming positively explosive by the time Exodus took the stage. I made it about halfway through their 90-odd-minute set before throwing in the towel, but what I saw was absolutely spectacular. They are without a doubt a band not to miss, and I was glad for every moment I hung in to soak up some of the torrent they unleashed upon the crowd.”
Natalie Zed recaps the Toronto performance by EXODUS, HOLY GRAIL, BONDED BY BLOOD and more at Toronto’s Mod Club on August 24, 2010
The production and mix are crystal clear but there is a condensed and compressed feel to the overall sound. Killing Season had one of the best productions I’d heard in many years, organic and vibrant, and I think Relentless Retribution would have benefited from that same production. As would any record for that matter.
Natalie Zed reviews the August 6th performance of FATALITY, TERRORHORSE and HALLOWS DIE at the El Mocambo in Toronto, ON
“Testament and Megadeth have both been around as long as I have been alive; Slayer is two years older than I am. These bands have been around for a very long time and have gotten exceptionally good at what they do. More that that, they have defined their genre. Watching Slayer perform, it suddenly hit me: this is what everyone else is going for. This is the aesthetic so many other bands attempt to emulate. Not just the sound, either, but the presence, the charisma of the band members.”
Natalie Zed reviews the July 29th performance by SLAYER, MEGADETH and TESTAMENT at Toronto’s Molson Canadian Amphitheatre
Helstar could have been a much bigger band if the songs had just been a bit stronger. Rising From The Grave is an enjoyable listen though and it’s easy to get carried away in Rivera and company’s enthusiasm and skill.