Soulfly does Point Blank by NAILBOMB with Cannabis Corpse, Noisem & Lody Kong October 19, 2017 at The Opera House in Toronto It’s been a…
Soulfly may not be the cutting edge band it once was, but it’s still a relevant bulwark of power in today’s metal scene. Enslaved is a poignant celebration of Max Cavalera’s musical vision and his longevity.
Sepultura, celebrating their 27th year as a band in 2011, are still in fine, fine form. Derrick Green is an engaging frontman, bantering with the crowd between every song, and absolutely tearing the place up vocally. Drummer Jean Dolabella is a powerhouse, and the best compliment I can give him is that all of the classic Sepultura songs (let’s face it, the drums were always Sepultura’s signature) sounded exactly the way they were supposed to. Paulo, Jr? Well, Paulo’s bottom-end keeps it all in place – he doesn’t move around or interact with the crowd so much, but as the oldest-serving member of Sepultura at this point, he doesn’t have to. And Andreas’ guitar riffs were monstrous and legendary, he too kept the crowd engaged and roaring.
Kyle Harcott reviews the May 31st appearance by Sepultura at Vancouver’s Vogue Theatre. Live photos by Ted Reckoning.
The thing about Omen is that it feels like Soulfly is running through the motions in a lot of ways. The clue to that lies (again) in the Jeffrey Dahmer referencing; the cannibal was arrested and tossed in the can in 1992. He died in ’94; this was the best the band could do?