By Matt Hinch Old school death metal stalwarts Incantation have been in the game for a long time (in one form or another) proving…
Kyle Harcott is going to Calgary at the end of the month to the Noctis Valkyries V Metal Fest and is pretty excited about it. Not only does he get to see Venom, Pig Destroyer and Manilla Road, but he also gets to partake in the metal conference during the day. Here’s Kyle’s explanation about why he’s stoked to be going this year.
Crushingly heavy, riotously unconventional and passionately demoniacal, Through the Cervix of Hawwah is the sound of devolution.
“If someone had told me fifteen years ago that I would have an indoor shower I would think they were crazy (laughs). I couldn’t imagine I’d be working on the Howard Stern show. When I lived in a storage unit in Florida I showered with a garden hose outside. But I was young and it was for metal and we all need to make sacrifices to do what we love. I kept working on things and plugging away and played drums every day.”
Justin M. Norton in conversation with Charred Walls of The Damned drummer and Howard Stern show comedian Richard Christy.
Towards the Megalith is crushingly heavy – like monolithic pillars being dropped on top of you. Firmly anchored in the OSDM realm, the album features a demoralizing mix of harsh, seriously downtuned, doom-laden dirges that crawl along on split knuckles.
“My other band was an expression of something much larger than myself; a monument if you will. It will always represent an essential part of my mind and spirit. Birth A.D., on the other hand, is a way for me to exercise complaints over the “daily life” portion of my existence. People are stupid, traffic sucks, everyone has cancer and so on. But it’s important to note that one band doesn’t negate the other in any way. It’s merely two different sides of me, kind of like the whole Rocky/Rambo thing that Sylvester Stallone did (or maybe that’s a weird example).”
Keith Carman in conversation with BIRTH A.D. bassist/vocalist Jeff Tandy.
This Friday and Saturday sees the return of Canada’s most unique metal festival – and I’m happy to say I am a part of it this year! Calgary, Alberta plays home to the fourth edition of the Noctis Metal Fest and Conference this weekend and I am about to jump on a plane on Thursday to be an active participant as a panelist during the Conference segment. It is something I have always wanted to do in a metal context – I’ve had the chance to participate in a few non-metal music conferences before, but never one to do with my real passion – and this this is going to be a pretty interesting time on Friday during the day.
Part two of Jay H Gorania’s recap of the 2010 Maryland Deathfest, covering what he saw and heard on the Saturday, May 29th portion of the fest. It includes Incantation, Asphyx, Repulsion, Jucifer and Autopsy
The concept is simple, the execution unyielding, the principle uncompromising. Concept, execution, and principle may be summed up quite simply: death metal. Welcome to the macabre underworld of Vasaeleth. To pinch a famous phrase: abandon hope all ye who enter.
Tate Bengston reviews the Profound Lore debut album by Texan death metal duo Vasaeleth.
Forged from the combative live-in-the-studio atmosphere of Kreator’s Pleasure To Kill coupled with the soupy low end of Obituary yet new enough to elicit comparison to fellow evil-doers Behemoth, The Final Conflict is as furious as it is delightfully offensive.