folk metal

Eluveitie – Everything Remains As It Never Was

Everything Remains As It Never Was is the fourth album from Swiss folk metallers Eluveitie. Its title, considering the band’s place in the growing mythology of folk and pagan metal, is suggestively profound. It’s a shame, then, that the music on this new offering just isn’t as enjoyable well as their previous work.

Siegfried – Nibelung

On first listen, this album gave me visions of using it as a soundtrack to a documentary about people who are into epic fantasy role-playing. I can see the hordes of costumed Lord of the Rings fans clashing their replica swords on a battlefield to win the princesses hand

Leaves’ Eyes: Njord

The overall sound gives me an image of Viking Goths parading around in Scandinavia. On most of the songs they manage to sound well balanced between classical and metal without sounding too rock opera cheesy

Månegarm: Nattväsen

In the end, this collection of night creatures might just encourage you to toss back a pint and go racing into the neighboring hills with sword in hand — at least until you get arrested for disturbing the peace.

Glittertind: Landkjenning

Glittertind is essentially a two-man band, which makes tracks such as the rollicking “Longships and Mead” interesting. The song reminds me of something The Pogues or our Canadian counterpart, Sprit of the West, might release – a blend of traditional Norwegian folk melodies with the addition of electric guitars, a slightly sped-up tempo and punk attitude…

Skyclad: In The…All Together

In The…All Together, although not quite as catchy as Semblance, is much more of a metal album and could have easily fit into their catalog amongst any of their 90’s albums. The majority of Skyclad’s signature sound from its genre defining beginnings is present: speedy, almost thrash riffing, with violin on top leading the way, and play-on-words, tongue in cheek lyrics to accompany the music.

Korpiklaani: Karkelo

Another year, another Korpiklaani album. Depending on how you feel about these fun-loving Finns, they’re either showing tremendous resilience in putting out six albums in fewer than six years, or they’re continuing to inundate listeners with their repetitive music.

Fejd: Storm

With the use of traditional Nordic folk instruments such as the bouzouki, Swedish bagpipe, Jew’s harp, hurdy-gurdie, keyed fiddle, willow-pipe, the recorder and the cow antler, Storm is a cultured listen.