FOR THE LOVE OF METAL
“When I was asked by my friends in Fragile Existence to come out and try my hand at doing some video recording, I had no idea what I was in for with the rest of the night. It was only weeks later that I had a look at the headline for the bill… GORGUTS.. and realized the guardian angel of death metal was watching out for me.”
Live review and photos by Danielle Griscti
Hellbound Metal: ” Odori Sepulcrorum is a sprawling and magnificent brew of the crushing might of death metal, the downtrodden scope of doom and the atmosphere of black metal. It presses in on the consciousness, making its victims uncomfortable in the least, and rendered mad at its best.”
Hellbound Metal: “Labyrinth is an audible reflection of the album’s concept: chaotic with erudite intricacy. Look beyond the perpetual bewildering shifts of tempo and style, and you’ll gain much respect for Fleshgod Apocalypse’s pursuit of higher thinking.”
“This is the music equivalent of a B-movie horror director gaining access to a budget and real special effects and using them to perfection. And at less than 40 minutes, it certainly doesn’t overstay its welcome.”
In his debut review for Hellbound.ca, writer William Seay reviews Necrocracy, the new 2013 album by California death metal outfit Exhumed
Hellbound Metal: ”
While this probably takes a back seat to their countrymen in Church of Misery for me, just the fact that this Japanese death-doom squad has a new album out is saying something in itself—it’s been a full five years since their last full-length, albeit not for a lack of splits in the interim.”
By Gruesome Greg I don’t deny that I’m not as plugged-in to the local scene as I used to be, so if it takes…
“By this point in the night the press of bodies on the main floor was damn near suffocating. Coupled with the intense heat, it was a sweaty affair indeed. Hair flying and riffs flying faster, Cannibal Corpse set a blistering pace for their 90+ minute, 20 song set.”
Matt Hinch reviews the May 31st Toronto stop of the Decibel Magazine Tour, featuring Cannibal Corpse, Napalm Death, Immolation and Beyond Creation. Cannibal Corpse photos by Adam Wills
“Though revisiting Schuldiner’s musical legacy meant the sense of collective loss was strong, the sense of fellowship was stronger. In the end it was less for sadness than a cause for celebration.”
Laura Wiebe reviews the April 28th Toronto performance by Death To All and Anciients. Concert photography by Adam Wills.
Hypocrisy aren’t zombies, but their decade-plus career has spawned fantastic music for the Swedish melodic scene.
In all, Gateways to Eternity makes for a strong introduction to The Solemn Curse, mixing elements of metal’s past and present, and providing hints to the band’s future direction.