FOR THE LOVE OF METAL
Containing three additional songs taken from the album sessions that just didn’t fit within the parameters of the album plus two live songs recorded live at the band’s performance at the 2010 Roadburn Festival, Shatter is every bit as essential as the full length is.
“I remember that both Celtic Frost and Destruction were very happy that they were known and in demand in the North American music scene. Celtic Frost were extremely heavy live, especially as they were a three piece. Reed definitely destroyed his drums with his heavy style of percussion, and Martin was an animal when it came to head banging while he played. Tom and the rest of the band had a great metal image with an avant garde style.”
November 30th marks the 25th anniversary of the infamous WORLD WAR III Festival in Montreal. Sean Palmerston interviews attendee Dave Busch in memory of this groundbreaking event in Canadian metal history.
“The other reason is that people want to tag bands with some political name; especially if you don’t denounce the group they say you are a part of. I won’t denounce any political movements. One, I’m not a part of them and it’s not my place. And two, I believe in free speech and free expression. If someone wants to go out and be a part of a movement even if I don’t agree with it it’s not my place to step in. I’m not an activist, I’m not as politician. I have enough problems of my own and I don’t need to start a war with any specific movement.”
Justin M. Norton in conversation with Krieg founder and main man (and sometime Twilight collaborator) Imperial.
“Once you have lived this for a while you are free to have different experiences. Each tour brings a new experience. But I’m a somewhat nostalgic guy. This is my seventh U.S. tour or something like that and there are a lot of memories. We played Portland last night and there was a full moon. And there was a full moon the first time I ever played Portland. I remember looking at the moon in 1986 and making some notes about it. Then I find myself on the first Triptykon tour and there’s a full moon. Certain memories stick forever.”
Hellbound’s Justin M. Norton sits down with Triptykon mastermind Tom Gabriel Fischer to discuss his life on the road, the nature of evil, and J.D. Salinger.
Hellbound’s staff give our picks for Halloween-themed songs to coincide with one of our favourite holidays.
“Visually the band’s performance style is understated, but the smaller venue allowed them to overwhelm the space. Alongside the expected Triptykon material, sounding much like it does on record, the set list was Celtic Frost-heavy, songs like “Procreation (of the Wicked)” snarled out with vicious intensity.”
Laura Wiebe reviews the recent Toronto performance of Triptykon, who were joined by 1349, Yakuza and Sylvus.
Agnes Vein have well steeped themselves in the lore of Blood Fire Death-era Bathory and latter-day Celtic Frost, but at times, the music also hints at the drone and mood of Jesu. There’s also the strong aftertaste of Primordial in the guitar tone. It’s an eclectic mix, but the influences serve them well and Agnes Vein have managed to distill them down into their own secret formula. I highly recommend Duality to anyone whose ears pricked up at any of the aforementioned inspiration.
Hellbound’s two-part interview with Celtic Frost and Triptykon founder Tom Gabriel Fischer continues. Today, Fischer talks about his signature guitar sound; composing several tracks on the new album; his relationship with Martin Eric Ain and what will be included in Triptykon’s set list.
When you were working on Triptykon’s debut what was
`I didn’t just leave Celtic Frost in the heat of the moment. It took an immeasurable amount of personal problems for me to walk out of my own band. I was the main songwriter in Celtic Frost. We worked for so many years to achieve the status that we only achieved at the very end. It was difficult to let that go on every level.`
Justin M. Norton interviews metal mastermind Thomas Gabriel Fischer about his new outfit Triptykon and the incidents surrounding its formation and the break up of Celtic Frost
Could it be that after three decades as metal musician Fischer has found his voice after playing with so many different styles? Eparistera Daimones is not that different from Monotheist, but that’s not a detriment when following an album that revived your career and reputation. Triptykon’s debut is a worthy piece in Fischer’s enigmatic but always provocative musical career.