A picture can often be worth a thousand words and you only have to look a picture of Tom G. Warrior (I know his…
The new self-released album from Winnipeg’s Psychotic Gardening puts a great many albums released on larger metal labels to shame. The musicianship is top-notch,…
When the gods made heavy metal, it was the thunder issued from Bill Ward’s fists that set the scene, at least as equally as Tony Iommi’s lightning. You could not have had that demon birth with a lesser drummer at the helm. Mixing the satanic swing of jazz with sheer brute clobbering force, Bill Ward’s drumming turned the oldest form of long-distance communication into a manifesto of power. And a thousand children picked up sticks.
Hellbound’s Kyle Harcott in conversation with original Black Sabbath drummer Bill Ward about his new art project, entitled Absence of Corners, and his upcoming musical releases.
In 1996, Hellbound’s Sean Palmerston was offered the chance to do the first ever in-person North American radio interview with Quorthon, leader and visionary behind legendary Swedish black metal act Bathory. They also went out for dinner together beforehand, and here are Sean’s memories of that fateful night some seventeen years ago, shared in public for the first time since.
Though the original contained just six tracks, Southern Lord has beefed this edition up with a trio of demos and a Celtic Frost cover. But really, that’s just the icing on the cake (if you’re into vanilla frosting). These tunes stand alone without the added filler.
“If you’re a fan of extreme metal and you live in North America, it’s likely that you have a strong impulse to attend the continent’s biggest annual festival: Maryland Deathfest. Actually attending the fest, however, isn’t always possible, especially if you live thousands of miles away.”
Part two of Jay H. Gorania’s recap of Maryland Deathfest 2012, with live photos by Albert Mansour.
Beautifully packaged, and as an extra-special feature, it includes a unique interview that Quothon did with Godreah main-man Crin for the legendary Godreah magazine. Truly these are songs to hail on high!
This is pretty much the same mid-tempo old school shit all the way through. It is exactly how Asphyx wants it, and if you like good quality, be it fairly unoriginal Death Metal then you will fully dig this.
Blood For the Master isn’t a radical step forward, but nor, given its traditional metal underpinnings, is it a step back. It is exactly the album Goatwhore needed to make right now.
Album number two from The 11th Hour is darker and more bombastic than their debut. Throughout the album the two interweaving vocal styles add a lot of contrast, meaning the epic-length tracks never fall flat. Lacrima Mortis’ collection of harrowing tales is cloaked in a godforsaken veneer, and it’s a credit to Warby’s talents and songwriting ability that he manages to preserve that requiem-like atmosphere throughout.