FOR THE LOVE OF METAL
Catching up on some of the late 2011 releases that nearly went under the radar, Craig Haze reviews a triptych of death metal albums, including the latest from Horrendous, Ominous Crucifix and Vore.
“If someone had told me fifteen years ago that I would have an indoor shower I would think they were crazy (laughs). I couldn’t imagine I’d be working on the Howard Stern show. When I lived in a storage unit in Florida I showered with a garden hose outside. But I was young and it was for metal and we all need to make sacrifices to do what we love. I kept working on things and plugging away and played drums every day.”
Justin M. Norton in conversation with Charred Walls of The Damned drummer and Howard Stern show comedian Richard Christy.
Love him or hate him, there is no denying that A.C.’s Seth Putnam was one of the most controversial figures ever in extreme music. On the eve of the release of their new album, Justin M. Norton spoke with him about the new “F**kin’ A” album, surviving an overdose and how it did not make him change his lifestyle, as well as his actual, undeniable love for the music of Motley Crue and Buckcherry.
Since Seth passed away unexpectedly over the weekend, we are re-running our recent interview with him, one of the last interviews he did before passing away. RIP.
Here is what we played on the November 7th, 2010 edition of HELLBOUND RADIO
Hellbound’s staff give our picks for Halloween-themed songs to coincide with one of our favourite holidays.
There’s never much to a Cannibal Corpse show, just five guys who never leave their marks, long, sweaty hair obscuring their faces, churning out that distinct death metal sound they’ve been doing for more than two decades. No frills whatsoever, just pure brutality, and it never fails to floor audiences.
Adrien Begrand recaps the recent Saskatoon stop of the current Hatebreed/Cannibal Corpse co-headline tour that is underway now in North America.
Filmed live at the Palladium in Worchester MA in April of 2007, this historic DVD document is a great snapshot of stalwart US indie label Metal Blade’s then-current roster.