More entries in Hellbound’s “Events You Don’t Want to Miss” category The February edition Wednesday, the 4th NAPALM DEATH and EXHUMED top off a multi-course death…
And they’re back from the grave, ready to slash, butcher, cut up, kill and smash the listeners’ ear drums. Yes, it’s Cannibal Corpse and they…
On some level, every show organizer and promoter wants to have the event that those who attended look back and remember as the most…
“By this point in the night the press of bodies on the main floor was damn near suffocating. Coupled with the intense heat, it was a sweaty affair indeed. Hair flying and riffs flying faster, Cannibal Corpse set a blistering pace for their 90+ minute, 20 song set.”
Matt Hinch reviews the May 31st Toronto stop of the Decibel Magazine Tour, featuring Cannibal Corpse, Napalm Death, Immolation and Beyond Creation. Cannibal Corpse photos by Adam Wills
“Director Tommy Jones captures the band’s stories of challenges and victories, both drunk and sober. Every. Single. One. You want an in-depth music documentary on a death metal band? This is it.”
Ola Mazzuca reviews Iron Will: 20 Years Determined, the new 2 DVD, 2CD compilation celebrating the first twenty years of Northern Hyperblast from Quebec death metal veterans Kataklysm.
At The Gates Of Sethu is first and foremost a very traditional Nile album. Brutal technical death metal is still at the heart of it all, the three-pronged vocal attack has lost nothing of its venom and the religion and history from Ancient Egypt still form the main source of inspiration for Karl Sanders. What sets Nile apart from their peers is their collective attention for small details, such as ritualistic chants and the use of indigenous instruments and percussion.
Prominent American senators and presidential hopefuls have pointed their fingers at Cannibal Corpse, implying the band is partially responsible for society falling apart. Murder victim family members have also done the same. Censorship has reared its ugly head in Germany, a nation where the band has been legally prohibited from playing certain songs. And yet through it all, the Florida-based death metal machine continues to march on, hacking away at everything in sight—musically, that is—nearly a quarter of a century after its inception.
Jay H. Gorania interviews Alex Webster, bassist and founding member of death metal legends Cannibal Corpse.
Metal Blade celebrates its 30th anniversary in 2012. While the label has already released a plethora of classic and genre-defining albums, and fostered and supported our dearly loved heavy metal community, it remains, to this day, as active and energetic as ever. What the metal realm would have looked like without Metal Blade’s steely presence over the past three decades is a frightening thought indeed.
To help celebrate this, here are four new reviews of new Metal Blade titles by our New Zealand based writer Craig Haze, who tackles the new releases by Angel Witch, Exhumer, Ram and OSI
This album fucking destroys and I wouldn’t have expected or accepted anything less from my favorite Death Metal band of all time.
Catching up on some of the late 2011 releases that nearly went under the radar, Craig Haze reviews a triptych of death metal albums, including the latest from Horrendous, Ominous Crucifix and Vore.