That title is a very fair description of Motorhead. They certainly were beer drinkers and hell raisers… especially in their golden years, the time…
I met Scott Ian in Dublin years ago when Anthrax were playing there. He doesn’t mention this in his book but I supposed he’s…
Des`pu`ma’tion n. 1. The act of throwing up froth or scum, separation of the scum or impurities from liquid, scumming, clarification Or the title…
Another edition of thought-provoking book reviews from our Irish based correspondent Steve Earles. Please enjoy!
“Written by veteran British music writer Phil Sutcliffe, High Voltage Rock ‘n’ Roll follows the model set by the Jim DeRogatis book on the Velvet Underground: a good sized, hard-bound book crammed with extensive essays and a plethora of band photos and memorabilia. However, seeing how a) we’ve already seen numerous AC/DC biographies come along over the years, and b) the band put out an illustrated coffee table book as part of last year’s Backtracks extravaganza, just how essential is Sutcliffe’s volume?”
Adrien Begrand reviews AC/DC: High-Voltage Rock ‘n’ Roll: The Ultimate Illustrated History, the new book by Phil Sutcliffe
A striking passage of the Bad Religion song “Latch Key Kids” reads: “In this world today there ain’t nobody to thank/Just blame it on the kids and toss ’em into the tank.” Those lyrics seem applicable to a young kid growing up in the 1980s named Justin Pearson, best known as the bug-suited vocalist and bassist for the grind/noise/hardcore band The Locust.
Hellbound’s Justin M. Norton speaks with Pearson about his upcoming book, “From The Graveyard Of The Arousal Industry.”
I have no idea if Andrew Bonazelli has ever picked up an instrument, let alone ever played in a band, but his position as the reviews and managing editor of the almighty Decibel Magazine and the fact that he’s just released his second book, A Regular, means there’s a connection to the world of extreme music and a reason to throw the hellbound.ca spotlight on the man for a while.
Kevin Stewart-Panko in conversation with Decibel managing editor Andrew Bonazelli about his newly published book A Regular.
Gimme an R! is one of those books that’s so bad, it’s awesome.
There has been much controversy and mixed opinions surrounding Lords of Chaos: The Bloody Rise of the Satanic Metal Underground since its 1998 release. Michael Moynihan and Didrik Soderlind’s book is probably the most notable of it’s kind, offering much insight to the life and crimes of our favourite black metal artists.
Lords of Chaos: a story involving the TNBM scene, with actors retelling the intriguing, but violent tales of music, murder and arson. Will it shock or compel?
“Metal is hard,” says Freeman. “It’s difficult, rigorous music but it’s not treated as such. These are guys who are on the level as symphony players on their respective instruments. These are guys who went into their bedrooms at age 10 and didn’t come out until age 20, but because they have long hair and they sing about decapitating virgins or whatever, it’s not treated with the respect the effort put into it would seem to demand.”
Laina Dawes speaks to music writer and recent Metal Edge editor Phil Freeman about his newly released book.