blackened thrash

FURIA – Nocel

Man, at times like this, I wish I had a hint of Polish vocabulary. Anyhow, hello, blackened thrash! Right away we get evil chanting….

A tenebrous tetralogy: reviews of four recent black metal releases

As a neurotic and obsessive metal fan I struggle to cope with the number of magnificently malevolent black metal releases I’m missing out on. It’s a depressing thought—which I suppose is quite apt really. Such is the enigmatic nature of the underground scene, coupled with the fact that I am essentially a troglodyte, for every excellent black metal release I get to hear, five other worthy contenders pass me by. However, there are a few releases of late that I have been fortunate enough to hear and think deserve some praise-heavy wordage. Continuing my never-ending multi-album review series, this time I’m focusing on a few rough-edged gems (and one notably polished one) from black metal’s inhospitable climes.

MAAX – Six Pack Witchcraft

“‘Six Pack Witchcraft’ is a full speed ahead, red lining, sing-a-long track that will have you pounding your fist on the bar, and possibly your pint glass as well. For ‘Go F*** Yourself’ the band moves back into a more old school black metal feel with production so thick you’d almost think the band had recorded with the microphones set up on the other side of a mattress.”

Jason Wellwood reviews the latest album from MAAX, a blackened rock and roll album reminiscent of Motorhead vs Darkthrone.

Die Hard – Nihilistic Vision

Similar to a post-modern poem, the album is dispersed and features lack of structure, which can be presented well if thought-out correctly. Despite half of the musical mess, the guitar work of Hasse is strong and precise that expresses undeniable talent above a clutter of sounds.

Weapon: Drakonian Paradigm

Musically, what makes Weapon unique is its intricate sense of composition, its sinuous melodic leads, and the subtle accents that it uses in order to conjure a distinctive atmosphere. Conceptually (and, by extension, atmospherically), Drakonian Paradigm is uniquely syncretic in its left-hand-pathos, in turn using its music to menace several doctrines from a common ground.

Tate Bengston reviews the debut full-length album by Edmonton, Alberta-based black metal quartet Weapon, recently released on CD and LP by the AJNA Offensive.