Bill Ward

Bill Ward: The Hellbound Interview

When the gods made heavy metal, it was the thunder issued from Bill Ward’s fists that set the scene, at least as equally as Tony Iommi’s lightning. You could not have had that demon birth with a lesser drummer at the helm. Mixing the satanic swing of jazz with sheer brute clobbering force, Bill Ward’s drumming turned the oldest form of long-distance communication into a manifesto of power. And a thousand children picked up sticks.

Hellbound’s Kyle Harcott in conversation with original Black Sabbath drummer Bill Ward about his new art project, entitled Absence of Corners, and his upcoming musical releases.

A tale of two tours…

In case you missed the last episode of Days of our Black Sabbath, the band has pulled out of all but one of its upcoming European dates, citing Tony Iommi’s health issues. Meanwhile, drummer Bill Ward issued a public statement that he still wants to take part in the reunion, but is still waiting for a signable contract…

I’ve got these two Troubles troublin’ me…

If Black Sabbath are the grandfathers of doom, Trouble would be one of its uncles (along with Candlemass, Saint Vitus and Witchfinder General). But while grandpa’s mad ravings have been grabbing headlines lately, what with the whole Bill Ward fiasco, Uncle Trouble has been through quite the shakeup himself. In fact, it seems that there’s not one, but two Troubles nowadays. Say what?

Classic Albums Revisited: Black Sabbath’s Born Again

“With the recent UK deluxe reissues of the mid-eighties Black Sabbath albums Seventh Star and The Eternal Idol creating quite a buzz about those releases once again I thought it might be time to revisit my favourite under-heralded Sabs relic. Born Again, the band’s 1983 release and only one to feature noted vocalist Ian Gillan, is one of the most dividing releases ever to bore the Black Sabbath moniker. it is one of those records that you either love or loathe. There is no middle ground needed, and none provided.”

Album review by Sean Palmerston