It’s been a couple of years at least since my last Heavy Montreal (or Heavy MTL, as it was called then), but if the…
Hellbound is a Canadian-based metal site. That doesn’t determine our coverage – we can appreciate, evaluate and cover heavy tunes from anywhere in the…
When the gods made heavy metal, it was the thunder issued from Bill Ward’s fists that set the scene, at least as equally as Tony Iommi’s lightning. You could not have had that demon birth with a lesser drummer at the helm. Mixing the satanic swing of jazz with sheer brute clobbering force, Bill Ward’s drumming turned the oldest form of long-distance communication into a manifesto of power. And a thousand children picked up sticks.
Hellbound’s Kyle Harcott in conversation with original Black Sabbath drummer Bill Ward about his new art project, entitled Absence of Corners, and his upcoming musical releases.
Last week the inaugural BARGE TO HELL cruise sailed from Miami, FL to Nassau, Bahamas and back and featured live performances by forty-two death, thrash and black metalbands. Hellbound.ca was lucky enough to have been able to send some of its contributors on the cruise and here is what they had to say about getting to Miami and the first evening’s performances.
Introduction by Sean Palmerston with live reviews by Adrien Begrand and Sean Palmerston. All photography by Albert Mansour unless listed otherwise
Recently The End Records acquired the rights to the catalogue of Music For Nations, an excellent British label which closed its doors in 2004. When the label folded into Zomba Music, which was owned by BMG which is now owned by Universal, many of the ‘smaller’ releases were discontinued or lost. The End Records has jumped in and brought many of these releases back to North America, some for the first time as domestic releases. Since there are so many of these, I’m going to break them up into a few different articles (hope you don’t mind) and keep the reviews relatively short.
Review roundup by Jason Wellwood
“We’ve accumulated a very dedicated hardcore fan-base. This kind of liberates you, because we kind of feel nowadays we can pretty much do anything we want, and we don’t have anything to lose because we are in the lucky position that we don’t have any pressure from the label. They never told us what to do from the beginning, and now we’re very established and, well, and we don’t wanna become the next big thing.”
Jay H. Gorania in conversation with Angela Gossow of Arch Enemy
Two very different reviews of the new Arch Enemy album, entitled Khaos Legions, out now on Century Media. Which one do you agree with?
Staff interview number nineteen is with Hamilton resident Jonathan Smith
Today’s staff interrogation is with Toronto university student and Hellbound contributor Ola Mazzuca
Matt Lewis reviews the October 28th show by BAPTIZED IN BLOOD and guests at Hamilton’s Club Absinthe. Photos by Albert Mansour.