Rock ‘n’ Roll suffers from being pushed out too fast, but still has a handful of solid tracks on it. This is one of the few albums I’d advise getting as a CD reissue though, the two b-sides really push the quality way up.
…in which one Kevin Stewart-Panko passes his shaven-and-slanted-head judgment on three slabs of vinyl courtesy our good friends at various record companies. And a-way we go…
Doombox, the new EP from movie grindmasters Graf Orlock is coming to remind us all of the obscure and not so obscure movies with great lines complimented by great fucking music. With a new lead vocalist that is hilarious and brings an old punk vibe to the music, Graf Orlock is bringing the grind, old school style
This is the kind of punk rock that makes a fan for life because the sentiments are real, relatable, accessible (for the right kind of mind) and genuine; no punk will be able to miss any of that. This is not music to buy jeans to, it’s music to live by.
All around, Here is No Exit is more top notch material from a band who’ve never failed to deliver top notch material.
“With the recent UK deluxe reissues of the mid-eighties Black Sabbath albums Seventh Star and The Eternal Idol creating quite a buzz about those releases once again I thought it might be time to revisit my favourite under-heralded Sabs relic. Born Again, the band’s 1983 release and only one to feature noted vocalist Ian Gillan, is one of the most dividing releases ever to bore the Black Sabbath moniker. it is one of those records that you either love or loathe. There is no middle ground needed, and none provided.”
Album review by Sean Palmerston
If you feel the need to purchase every recording with G.G. Allin’s name on it, you’ve probably already pre-ordered this. From the casual fan’s perspective, it’s nothing too special.
Vancouver’s Anion have dropped a punishing slab of hardcore in the way of their Carrion King seven-inch. Four songs striking a balance between stabby hardcore and slow-drain sludge, Carrion King is the perfect primer to the band and their vitriolic brand of sludgecore.
Hellbound reviews seven 7”s recently released by Baltimore-based A389 Records.
The Roller offer no apology for their crust-laden brand of hatesludge. They don’t care if you like ‘em or hate ‘em; they’re going to keep on bulldozing everything that gets in the way regardless.