Culted’s MySpace biography makes much of the fact that the band’s impressive first full-length album is a “truly collaborative effort across international lines.” One can only hope for more musical cooperation in the future from the jointly Canadian/Swedish band.
For me, anything that Massacre/Denial Fiend vocalist Kam Lee is involved with gets me excited and I am very happy to report that this new Bone Gnawer project is no exception. In fact, it is possibly some of his finest work.
The Corpse of Rebirth is not always an accessible record, but like many of the deeper novels from the historical period that have clearly influenced the band, the time devoted to it is well spent.
Even with all the feedback, distortion and weird sounds this is an album that anyone interested in droning, ambient sounding metal should have a listen to.
While Clutch traditionally is known for its forays into hard rock and metal, the all-instrumental Bakerton goes off onto other musical tangents that are also engaging although they can be very different from their main gig. El Rojo finds the group heading succinctly into jamband territory, creating an engaging mixture of funk, blues and classic rock that gives the musicians lots of room to breathe and let their musical chops shine.
This third full length album from Glasgow, Scotland’s Man Must Die is an amazing listen from start to finish.
Despite being an overall disappointing collection, the latest EP from Southampton, UK, sludge/drone doom metal band Moss immediately gets points for two reasons.
This album is fantastic. Is Esoteric progressive doom? It is certain they are capable of gravitating towards this, but experimental? Definitely.
Originally released in 2008 in their homeland, Australian-based Ruins’ Cauldron is a solid cut of minimalist black metal that comes off as being fairly accessible.
California gothic /progressive metal outfit Echoes of Eternity return with nine new tracks on their second full length album As Shadows Burn.