The breakdowns are so damn catchy I turned a baseball cap sideways and slammed danced by myself, right into a wall. My cat looked at me funny.
In The…All Together, although not quite as catchy as Semblance, is much more of a metal album and could have easily fit into their catalog amongst any of their 90’s albums. The majority of Skyclad’s signature sound from its genre defining beginnings is present: speedy, almost thrash riffing, with violin on top leading the way, and play-on-words, tongue in cheek lyrics to accompany the music.
A Journey in Darkness is a truly singular work within the realm of Swedish metal. There really is nothing else like it. Recorded in 1993 at Unisound Studios, the pseudonymically-inclined all-star lineup consisted of It (aka. Tony Särkkä of Abruptum and Vondur), Mourning (aka. Robert Ivarsson of Pan Thy Monium), Winter (aka. Benny Larsson of Edge of Sanity and Pan Thy Monium) and, most famously, Shadow (aka. Jon Nödtveidt of Dissection).
Tate Bengston reviews the new Peaceville reissue of this long lost Swedish metal classic.
Being a legendary band in brutal/progressive death metal
circles, many eyes and ears were at the ready to see what Pestilence
were going to come up with 16 years after their last proper full
Rotting Christ’s first DVD (In Domine Sathana) is barely a half decade old but the band’s 20th anniversary seems reason enough for another multimedia release. Non Serviam is a weighty package: two DVDs and two CDs of material arranged around a monumental live centre-piece – a two and a half hour performance in Athens, Greece, recorded at the end of 2007.
Microcosmos is Drudkh’s first album for Season of Mist, but it carries no compromises for a potentially larger audience – Drudkh remains rewarding but also difficult. Their newest record is sophistication without veneer, a visceral and kaleidoscopic brew.
An unconventional way to combine black, death and thrash metal into one, Singapore’s Impiety deliver a merciless fist in the face with their latest release. Impiety prove that they are the self proclaimed ‘Asian Elite Satanic Majesty’ with their combative musical style.
It was loud, it was sweaty and it was a hell of a rock and roll show from a band whose combined age is somewhere around 235. Three of the four may be of retirement age, but on this night the Blue Coupe rocked harder than most bands 1/3 of their age.
The band was set against a bright backing light placed on the stage and played amidst a good amount of swirling fog. While still fairly “psychedelic” in both appearance and sound, Nebula brought a rougher and more road rock edge to their live performance than their more ambient fellow Californians. The songs were shorter, and at times sounded almost as though they were about to veer into more groovy, rock-radio friendly territory. It was a necessary shot of adrenaline after a fairly long and sweaty night, and the band ensured they kept things moving.
I haven’t listened to Manowar since I was about fifteen but from the first listen, I remembered what a kick-ass guitarist Ross the Boss is. His razor-sharp NWOBHM-era riffs, especially on “Death and Glory” have that classic Judas Priest Defender of the Faith-sound, and the songs are generally punchy but tight.