FOR THE LOVE OF METAL
Escape Velocity features a stripped-down Zombi—just synths and drums pulsating to a driving beat. It feels more urban and Germanic; at times like a sinister Kraftwerk. Zombi come across as cool masters of technology now; instead of mad lab techs trying to keep a roomful of aging machines alive and in synch. On Escape Velocity, the machines have learned how to run themselves.
“Anvil ended up onstage seven minutes earlier than their previously announced set time of eight PM. Quietly strolling on stage and taking their instruments, the trio gave a quick nod and got down to business. Much to my surprise, the band opened with an instrumental, the mighty “March of The Crabs”. The band was in fine form from the first note, with Robb Reiner comfortably holding the backbeat down like he always does. Playing on a sparsely set stage – just the band, their instruments and amps and a huge Anvil backdrop behind them, things really started to take shape with the evening’s second song, “Mothra”.”
Sean Palmerston reviews the May 17th performance by ANVIL and ALICE COOPER at Hamilton Place in Hamilton ON. Live photos by Albert Mansour
Gruesome Greg reviews Carne da Macello, the new album by Italy’s Seditius
These guys have been doing this so long that they don’t need to mess with the formula. Black Fang is like a mean Carolina moonshine—consume at your own risk!
With their latest signing in Aenaon, Code666 continues to cement its name as the vanguard of forward-thinking blackmetal. Stellar release after stellar release, the label has proven its cutting-edge mettle time and again, and Cendres Et Sang is only further proof of the label’s impeccable taste.
Questionable timing aside, this is a solid, albeit less-than-spectacular slice of Georgia sludge.
Allying throbbing, sub-zero sludge/doom riffs with poignant post-metal passages, beared up with throatgurge-ing vocals whose epic lyrics illustrate frozen paths of Nordic glory, For Winter Fire is a sprawling work, demanding the listener’s respect. Listening to this epic bit of Viking doooom is hardly a light undertaking, either – the majority of the songs push past the nine-minute mark.
“Sabaton blend traditional metal with power metal and a bit of military pomp to create some truly catchy work. Naysayers will repeatedly bring up the fact that they are not Bolt Thrower so they shouldn’t try to do ‘military metal’ (something that the band started dabbling with on Primo Victoria, which quickly became their forte) however that’s a lot like telling As I Lay Dying that they shouldn’t do Christian Metal because they aren’t Stryper. I actually came to the Sabaton party a little late, I was introduced to the band with The Art of War (their 2008 release with Black Lodge) so these ‘Rearmed’ editions from Nuclear Blast (the bands new home) were a huge treat for me.”
Jason Wellwood reviews the new ReArmed Edition reissues of the first four SABATON albums on Nuclear Blast USA.
“Boris is always at its best and most exciting the more adventurous they get, and the two new records, Heavy Rocks and Attention Please, are just that, as both see drummer Atsuo, guitarist Wata, and bassist Takeshi embrace their accessible side in ways nobody, especially those on the metal side of the fence, could possibly have imagined.”
Adrien Begrand reviews the two new studio albums by Japan’s BORIS, Heavy Rocks and Attention Please, set for release May 24th on Sargent House.
For her lucky number thirteen installment of her ongoing postcards series, Ms. Natalie Zed offers up five new reviews on bands such as Melechesh, Suidakra, TesseracT and Sylvus . So, without further adieu, here is another installment in her series of bite-sized critiques.