FOR THE LOVE OF METAL
“When I was asked by my friends in Fragile Existence to come out and try my hand at doing some video recording, I had no idea what I was in for with the rest of the night. It was only weeks later that I had a look at the headline for the bill… GORGUTS.. and realized the guardian angel of death metal was watching out for me.”
Live review and photos by Danielle Griscti
By Gruesome Greg There’s quite the back story behind this band. Seattle guitarist Aaron Edge, suffering from multiple sclerosis, sets out to record his…
Review and photos by Danielle Griscti Nights like this just don’t happen often enough! Bringing together heavy metal and comedy, The Governor’s Bash saw…
It’s a brilliant idea for a book and for the most part, the idea is brilliantly executed. Stewart-Panko and Smith have done an admirable job of gathering and organizing first-hand accounts from dozens of metal/hardcore scene luminaries, including members of Red Fang, Fuck the Facts, KEN Mode, Jucifer, Brutal Truth, Dying Fetus, and Dillinger Escape Plan. Needless to say, their stories are alternately illuminating, hilarious, and cringe-worthy.
Black Sabbath’s 13 might not have Bill Ward on drums, but this album does. Well, the first four songs of it, anyways. Seems that Bill Sabbath was slumming around back in ’83 when he hooked up with some cat named Mezmercardo for some session work, and the rest was buried in history… until now.
Once again, Hellbound offers you some of the best holiday gift-giving suggestions to satisfy your favourite metallers.
Laura Wiebe reviews the December 7th album release party performance by Hamilton metal veterans Varga at Club Absinthe. Live photos by Adam Wills
From the black metal roar of “The Tower” to the melancholic beauty of “The Seat of Severence”, Obsian is a complex and flowing work. As elaborate as it can be, it’s simple in how it forces the basest of human emotion to rise to the surface and dominate the experience. It’s a masterwork that continues to reveal the layers of its bleakness with warmth rather than cold.
There is definitely a cleaner, crisper sound on this one, the band seemingly going for a more widespread appeal, but without entirely abandoning its roots. Put it this way: Whales and Leeches is the album Queens of the Stone Age shouldda put out this year.
For a band that has only been together a couple years, the chemistry is incredible. They’re already crafting their art in such grand fashion that before long they’ll be forcing the bands now considered influences to up their game.